GREC

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

John lives for football and will do anything to make a career from it, even if it means facing the prejudices of the changing room.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

A sleepwalker decides to paint the town red. In the search of the wild painter, a young night watchman delivers some monologue.

A man trying to get through the Paris traffic meets a woman, somewhere between dream and reality.

A suburb housing. Two girls on the phone are looking for each other but never succeed to meet. One of them vanishes.

Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

Malik spends his days trying to get attention from others with empty, boring chats. One day, he catches the attention of one guy with a lie, saying that he's going to the US to study cinema. The news quickly goes around the neighborhood and Malik suddenly becomes everyones’s hope and pride.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.

In the suburbs of Toulouse, a group of queers and migrants are squatting a pink house. They find traces of the previous occupants, and try to live with the memory of a crime.

Armand is a pickpocket. In stealing a camera, he did not expect to discover his portrait, pris sur le vif.