Polish Film Institute

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

It's a story of a young woman from Warsaw - Iwona who has two children and works in a supermarket. He lives with his unemployed husband in a block of flats. They are always short of money - that causes many quarrels and destroys their relationship . One day Iwona receives a great offer from her old friend - Wojtek. He wants her to move to London and start a brand new life.

Maciek is no longer a boy, but has not yet become a man. He wants to satisfy the ambitions of his father, and - as everyone in the family - be a butcher. But he is too sensitive to make an animal suffer. The boy directs all his warm feelings towards an old, neglected orchard - the only memory of his mother - and discovers his supernatural abilities.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

Disillusioned private investigator Djonny is called in to investigate a murder in a refugee camp. However, he becomes increasingly unstable when he confronts a cyber witch who gradually takes control of his life.

A young hospital worker meets a patient awaiting abortion procedure. Their childhood stripped away from them too early, the two form a bond which might help them survive.

Wanting to leave their hometown, two friends set off on a military campaign in Afghanistan. When they return, it appears that their hometown is no longer the same.

The world as we know it is dying before our very eyes. At a secret military centre somewhere on the Polish seacoast, scientists and the military are conducting research on a technology to transform repeat offenders with life sentences into animals. A young employee of the centre tries to free one of the female prisoners marked for the conversion.

To impress his beloved, Adam forms a punk rock band.

Young and ambitious Kamila lives in a world where overweight defines the ideal of beauty and determines social status. The more you weigh, the more you are respected. When Kamila’s thinness is exposed, she is fired from work and dumped by her boyfriend. She abandons the disguise that made her look fat, decides to face up to reality and gain weight.

A man awakes in his apartment but is stopped from leaving by an invisible line.

Kikimora is a malicious domestic spirit that becomes attached to a specific home. The heroine has to face him.