Lucas travels to visit his sister to a remote town in southern Chile. In front of the ocean and the fog, he meets Antonio, a boatswain in a local fishing boat. When an intense romance grows between them, their strength, their independence and their adulthood become immovable in front of the tide.
Chile, 1976. Carmen heads off to her beach house. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
Brutal torturers of Pinochet's dictatorship are serving sentence in a luxury prison at the foot of the Andes. Fearing of transferring to a regular jail, the officers will go to great lengths to stay fury and violence in the mountains.
A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.
Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.
During a very dry summer in an isolated community far from the city. Sofia, Clara and Lucas face their first loves and fears, while preparing the New Year's party, without knowing that nature threatens them.
Lucas is visiting his sister on a remote island in southern Chile before moving abroad. An unlikely romance grows when he meets Antonio, a struggling young fisherman. The intimacy they share makes them navigate towards a new horizon and to a different stage of their adulthood.
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
As she and her family embark on a short vacation, a young Chilean girl slowly comes to the realization that her parents might be splitting up.
After a fire destructed my house, I return to the places where I grew up looking for childhood recollections. In this journey appears the memory of a photo for Karin Eitel, a young woman, tortured and detained during the dictatorship, to whom I owe my name. A story that my parents never told me, brings me closer to Karin and not just because of my name. In the background, the memory of a childhood in Chile, a country that reconstructed its democracy omitting its own history.
Little Claire kills time with María, her Ecuadorian nanny, while waiting for her mother to arrive.
While Thomas spends his last weekend in Chile with his family, before traveling abroad for the first time, a flaw in the sewage system produces a flood of smelly water. The problem shows the essence of family relationships.
Luciano is a special boy. He is 15 years old and he is obsessed with skies. This documentary its an invitation to live his fantasy of being a pilot for a day, and fly a Cessna.
Estranged siblings Genevieve and Stephen are caught in their father's cabin during a thunderstorm, emptying it from what it used to be. The electricity fails and they slowly find the calm that they were looking for.
A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.
The Patagonian steppe is battered by a grey wind... Mora is 13 years old and intends to become a "gaucho". She questions the school and asserts her individuality towards her parents, two environmentalists from Italian-speaking Switzerland whose dream of autonomy turns into a nightmare. Mora goes deep into the steppe to help the only friend she has, Nazareno, an old Mapuche who has lost his horse, Zahorí.
In precise, unhurried compositions of image and sound, Lamar’s feature debut portrays a man and his dying wife, living in a remote hut in the hills of Paraguay. All the stages of mourning are passed through in a single day in this wordless account of an emotional earthquake.
Two boys and close family friends, Jeremy and Alphonse, American and French, spend a few weeks together in Jeremy’s house in Brooklyn. Jeremy is confused about his understanding of the friendship, while obsessed with the ducks in the Prospect Park’s lake and finishing a school paper about their migration. Alphonse likes to ride bicycles and doesn’t want to leave town. The ducks inevitably leave, Alphonse goes back to Paris, and Jeremy stays in his house, but all of them depart to something new.
A child plays Wii tennis while his parents divvy up and and pack the furniture. One camera angle, one perspective, one situation, with a strong emotional charge. The child is immersed in the virtual world of the game while the real world stays off-screen.
Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.
