The Purity of Vengeance 2018
Copenhagen, 2018. A frightening discovery is made in an old apartment. The subsequent investigation of Department Q leads them to an infamous institution for girls that was suddenly closed in the early sixties.
Copenhagen, 2018. A frightening discovery is made in an old apartment. The subsequent investigation of Department Q leads them to an infamous institution for girls that was suddenly closed in the early sixties.
The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.
Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
Ida's friend Miriam visits the school for three months, but a secret threatens to tear them apart. Miriam is entrusted with the tarsier Fitzgeraldo, while Max, deeply in love, is given the owl Muriel. Meanwhile, the sale of the school is imminent, and the future of the magical community is in peril.
A year after his brother's death, Rob discovers that the only way to help his father cope with the loss is to "force" his affection onto him.
Out of her love for the great thinker Leibniz, Queen Charlotte commissions a portrait of him. During the portrait sessions, the philosopher and the young painter engage in a passionate struggle for truth in image and likeness, and ultimately for love and death.
Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.
A look at the world of US writer Paul Auster, on the occasion of the publication of his new novel, an exploration of human identity and the soul of New York, the city that Auster has portrayed as no one else has ever done.
Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.
The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
Approximately 4 million people in Germany have a brother or sister who is chronically ill or disabled. They have to deal with issues such as responsibility, renunciation and loss much earlier than their peers. Their reality is fundamentally different from that of other children and adolescents. Quietly observing and with great respect for all family members, the film approaches the different life realities of such siblings and depicts their everyday lives.
A couple consisting of two women, Levi and Minu, participate in a reality TV show called Hygge, inspired by the Swedish lifestyle concept of the same name. On an island, the new community they form part of takes advantage of their remoteness from society in order to experiment with its own values. But contrary to Levi's expectations, the ideals of traditional gender roles still seem to prevail among the show’s bosses. Therefore, at a certain point, Levi tries to escape and to convince Minu to leave with her.
Legendary British actor Michael Caine, who began his brilliant career on stage during the 1950s, talks about his private life, his work in film and the books he has written.
Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.
April 1945. In a dramatic operation the SS transports 139 special prisoners, and kin of the prisoners, into the Alps. The plan: to use the prisoners as bargaining chips in possible negotiations with the Allies. During the journey a number of prisoners plan their escape and experience six days between liberty and death, their fates in the hands of ruthless and increasingly nervous criminals. But the hostages band together and turn the tables with a clever ploy: they call in the Wehrmacht to aid them…
My mother googles the film hero of her youth: Helmut Berger. She is shocked: only an addicted shadow of the former icon seems to be left. She decides to halt the obvious catastrophic decline of the once “most handsome man in the world”. As a consequence, this one-time god of the screen is suddenly sitting on my mother’s sofa in Nordsehl in Lower Saxony. And he stays put - for several months. While he trustingly rolls out his whole life before us, the dividing lines between film team, world star and family intermingle. This is a film about ageing, rising and falling - and about the fact that it is sometimes possible to regain an element of dignity in life.
A man attempts, in vain, to prevent another from suffering the consequences of a sinister curse associated with the Delver Mirror. He presents a dire warning, in the broadest possible terms, to the ill-fated central character as to the fantastical legend and insidious nature of the mirror. Slowly they advance upward through the labyrinth of sticky corridors until the attic door approaches.
Rolf Köster has been working as a cashier in a small bank branch for years. Every day passes like the day before. He has a thirteen-year-old daughter who would rather write in a diary than speak and a six-year-old son who has to wear a bicycle helmet because he is constantly banging his head against walls. His wife organizes the whole family life, and Rolf stays in the background. But he has doubts as to whether he, who has "everything", is really happy. Then Rolf is unexpectedly given a week's vacation. He decides not to tell his family and to leave the house as usual. Rolf Köster begins to lead a double life.
Asta Nielsen: pioneer of cinema and first European film star, tragedienne and comedienne, writer and artist. As a working-class child and single parent, she works her way up from the bottom - and consciously stages herself as the first role model for independent women and queers. We retell the story of this singular phenomenon with her own words and film clips.