Tiga Abdul (The Three Abduls) is a 1964 Malaysian comedy film directed by and starring P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga who uses his three daughters to fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set a fictional middle eastern country named Isketambola, which is loosely based on Istanbul, Turkey.
Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.
Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.
The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.
Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.
Jamil, already married decided to get a second wife, Hasnah, without Latifah's permission. Latifah came to know about it went to his wedding ceremony and created a big chaos. Jamil ran away and stayed low key for few days in a hotel thinking of his next move. Just when everything was calm and smooth, Jamil met Rohani and it was love at first sight. Jamil decided to get married... again. Will love prevail?
The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman. The movie is notable in that the opening act starts out as a light-hearted romantic comedy, but at the 30 minute mark turns into a dramatic tragedy. Like a number of P. Ramlee's works, the film criticizes the unofficial caste system that separates the wealthy from the poor.
Haji Bakhil, a miser, have two servants, Labu - the cook, and Labi - the driver. The two of them have secret admiration for Haji Bakhil's beautiful daughter, Manisah. After a hard day's work, Labu and Labi started talking about their girlfriend not knowing that they both admire the same women. During bedtime, they lamented to each other about their life being poor and wondered what would happen if they were rich and famous. Labu pretended that he was a doctor and Labi a magistrate judge
In Baghdad lived Ali Baba, the pauper, and his brother, the rich man Kassim Baba. Ali Baba earns his living by collecting firewood, but due to his working nature, he is not able to earn much, so he frequently asks his brother for help with money and food once in a while. His wealthy brother always looks down on him, saying that he lacks ambition to improve his life if he continues doing the same work. One day, while Ali Baba is collecting firewood near a cliff as always, he spots a group of thieves heading toward a nearby cave. The third installment of the 'Bujang Lapok' series based on the 1001 Arabian Nights tale of Ali Baba and the Forty Thieves. This film chronicles the adventures of Ali Baba with generous twists of Malay humor and general hilarity.
A deformed hunchback is given a second chance at life, but then he breaks the rules of his benefactor and is transformed into a horrific monster.
'Hantu Kubor' is the sequel to 'Hantu Jerangkong' (1957), and the story here continues from the earlier film. Following her extermination, Mak Hitam the witch comes back to life as a grave ghost haunting the village cemetery. She threatens to cause chaos if the newly-wed Musa does not comply with her demands. When Tok Penghulu (the village chief) and the villagers find themselves unable to match the supernatural prowess of Mak Hitam, they seek help from Tok Pawang (the shaman) who understands the genesis of Mak Hitam's occult power and knows a way to subdue her.
A son leaves his widowed poor mother to make a fortune and promises to return for her. He rises up the ranks and even marries royalty but his promise is soon forgotten. When he returns to his homeland, he refuses to acknowledge her and his callous ways leads to tragedy.
Adapted from an original novel titled Fatimah《花蒂玛》by Chua Boon Hean, 'Sri Menanti' is a poignant portrayal of an intercultural romance inhibited by racial prejudice and segregation, religious conservatism, and repressive social mores. The film stars Malay actress Zaiton and Hong Kong actor Paul Chang as the star-crossed lovers who seek in the Other not only connection and acceptance but also escape and freedom. Released in both Malay and Mandarin-dubbed versions, the film was unprecedented in the Singapore film industry for casting both local Malay and Hong Kong Chinese film stars.
Sequel to Anak Pontianak. A Malay Shaw Brothers production.
Racking Oil Merchant Films is a film classic Malay published in 1959 in black and white . This form of comedy film was directed by Ramon A. Estella .
Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.
Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.
This film is about Osman that accuse his wife dishonest with him after been slander by his own cousin. Does he overcome the matter at the end?
The film tells of the coming of Islam to the Malay Peninsula and the acceptance of local residents.
A classic from Malaysia publish in 1954
