Antônio Martins, respected theatrical critic, is a very rational man. But a chance meeting with young Inês, a nude painting model, is going to rock him. Inês keeps a relationship with painter José Torres Campana, an older man with a deep influence over her. Antônio gets jealous, and the three become characters of a drama saturated with desire and danger.
Two businessmen hire a hitman to kill their third partner and are then blackmailed by the hitman as he takes over their company.
When the Netuno Circus returns to Fernando de Noronha, it brings back a young man with a turbulent past. Pedro is now Zolah, the human cannonball. When secrets surface, bizarre family reunions rival the circus performances.
In a remote part of the Amazon, a traveling photographer has an intense affair with a preacher's wife, but secrets from her past threaten to ruin them both.
In Porto Alegre, the unemployed Ciro has a dull life in a simple apartment with a nameless stray dog that he had found on the streets. Ciro is supported by his parents and works every now and then in translation of Russian. When he meets the aspirant actress Marcela, who dreams on traveling to other places, they immediately fall in love for each other. However, Marcela has a lymphoma and travels for a treatment, and alone Marcelo becomes depressed and returns to his parents home.
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
Brazil in the early 70s. Miguel, Eloi, Osvaldo and Paolo take part in armed attacks against the military dictatorship. They pay a heavy price with torture and arrest. Today the four friends still see each other. Only Miguel is politically active. On a photograph from a political meeting in Sao Paolo he recognises the policeman who tortured them 25 years ago and who was responsible for the death of Miguel's girlfriend. The policeman has been officially dead for a few years. On one of their fishing trips together, Miguel tells his friends of his discovery. When they hunt down and confront their nemesis they come into conflict with both themselves and each other.
Two hit men, a veteran and a beginner, chatter in a bar on Brazil-Paraguai border, while waiting for their victim to appear.
São Paulo, Brazil. One of the biggest cities in the world. Actually, the largest metropolis in cultural crossings and color blending in a huge compositions and social experiences, especially in its musical soundscapes. São Paulo Jazz Symphonic, a single Ship in world's performances, represents a sound metaphor to this cultural phenomenon, combining popular culture and scholar arrangement. In a magic point of view and atmosphere, cinema and music get together as a symphonic picture, a syncromic film language. Light and sound projected in rhythms and line to reveal 90 musicians, among them Cyro Pereira, to create a fabulous method to play and produce world mainstream arts. This trip reveals the meaningful strength from popular culture in Latin America history, by aesthetics emotion and thrilling images through five years shooting endurance.
La Planta's team travels to Uruguay, the first country in Latin America to legalize cannabis, to meet characters who, through their experiences, tell us the trajectory of this plant.
Trapped inside an apartment in Sao Paulo, an actor and a director of videos explore mutual love. Adapted from Benjamin Schianberg character, in this book Marcal Aquino, "I receive the worst news of your beautiful lips."
André is a middle-aged rocker, decadent, alone and forgotten, who lives off the crumbs of his successful days. His mother is an award-winning writer, who lives as a recluse in a country house and commits suicide when the degenerative disease of old age begins to threaten her independence. André then goes to her house for a weekend, getting rid of the furniture and books, sharing them with friends and family. In an increasingly empty house, he is faced with his own inability to solidify himself as an adult, to escape his mother's shadow and find his place as a man and artist at forty years old. Surrounded by the bush on all sides, the protagonist's depression leads to increasing paranoia, intensified by alcohol. Lost in a scenario of delusions, memories and literature, André will face his internal and external nature, in a war where everyone nearby can be a victim.
The film shows the daily lives of groups participating in the Ecomotion Pró race, the places they pass through, contact with local inhabitants, their stories, customs and curiosities in this region of northeastern Brazil located in the center of Bahia: Chapada Diamantina.
