Populêr Fan Uzbekistan

The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.

Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.

Iskander, a gentle Uzbek man, is convinced by a Russian friend to give an impromptu speech praising the Communist Revolution. Impressed by his eloquence, the Soviets make Iskander a spokesman - a precarious position in a turbulent time.

Transformations in the human world and its evolution.

Images of Uzbek folklore permeate the author's story with the motif of trauma. She connects the reflection on self-acceptance and awareness of one's own strength with cultural self-determination and the need for personal and collective resilience. The narrative, woven from themes of traditional Uzbek culture through materials drawn from a variety of sources including archival Uzbek films and photographs, unfolds in an evocative sound design.

Another Uzbek fantasy epic.

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

A film about the Creator who creates dolls. In each new doll he seeks the ideal woman, to whom the Master has different feelings.Subsequent dolls leave their mark on the soul of the Puppeteer... With each doll a new story arises... As a result, the last Mirror Doll shows the Master its own reflection...

In Uzbekistan, the government has started its own war on terror. A war that – like so many others – is waged for political reasons, which rarely have anything to do with reality. As a result, thousands of Muslims are imprisoned on false charges of conspiring to commit terrorist crimes. One of them is the human rights activist Dilya's brother Iskandar, who has been imprisoned in the notorious Jaslyk prison in a barren desert since 2002 – an inhumane place of which there are no images. Today, she lives in exile in Sweden because of the threats and harassment, but Dilya continues to fight the case of her brother and other prisoners with the help of Amnesty International.

Documentary film “Shukhrat Abbasov. Close-up" is dedicated to the memory of People's Artist of the USSR, film director Shukhrat Abbasov (1931 - 2018). Friends and colleagues of the Master (Ali Khamraev, Elyer Ishmukhamedov, Valentina Gushchina, Shavkat Abdusalamov, Maxim Pavlov, Farrukh Zakirov, Odilsha Agishev, Vladimir Vorobey, Natalya Arinbasarova) share their contributions.

Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.

Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.

The elderly and successful former classmates, Muscovites Igor Breitman and Yevgeny Tikhomirov go to a remote Uzbek village for their ex-wife Shurochka’s funeral. They go, eat, drink, argue about shurochka, fight. but it turns out she’s alive.

Nine construction workers from different cities in Uzbekistan come to the capital to live and work together away from their families. Their days are characterized by hard work and tension. Their only joy is hearing the voices of their beloved wives and children from their distant homeland.

In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.