A near-future Tokyo awaits destruction as the city is rocked by a series of foreshocks that predict a larger, more disastrous quake on the horizon. With the anxiety looming over them, a group of teenage best friends and musicians get into typical teenager trouble that tests the strength of their relationships.
Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.
On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.
