Liebelei 1927
Film by Jacob and Luise Fleck.
Film by Jacob and Luise Fleck.
Lighthouse keeper Uwe Bull lives with his wife Hanne and the silent assistant Jens in a secluded, small world. When the only survivor from a shipwreck, young Margot from Reeperbahn, is washed up on the island, Uwe's feelings arouses. But dark clouds appear in the sky.
Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.
In the 19th century, Polish patriots rise up in Warsaw against domination by the Czar of Russia.
Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.
Based on the operetta of the same name.
In a luxury hotel, a gathering of foreign high society people attend a wedding lunch. By the end of the feast a dramatic turn of events occurs : on the time of leaving the groom realizes that his newly married wife has... disappeared ! One morning, some time later, he meets her again at the Bois de Boulogne. She tells him everything about her strange attitude: she needed to be married to be able to have access to her husband's money. With this money, she managed to avenge her mother.
Based on the operetta of the same name.
With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.