El espejo

El espejo 1943

5.00

Faced with her own reflection, a woman traces the events that led her to renounce love, and the sacrifices she has made for her mother and sister.

1943

Jettatore

Jettatore 1938

6.80

A rumor spreads about a man being bad luck. His superstitious friends believe it, but it's all part of an evil scheme to ruin the man's upcoming wedding. Adapted from the play of the same name by Gregorio de Laferrere.

1938

Devil in the Flesh

Devil in the Flesh 1947

5.50

Young newlywed girl about to embark on her honeymoon persuades older family friend to assist her in an extensive search for her missing husband. A road-trip full of comical misadventures ensues.

1947

La hija del ministro

La hija del ministro 1943

10.00

The daughter of a minister pretends to be a worker to conquer the opposition deputy and discover the evidence that he proposes to present against her father.

1943

Invasion

Invasion 1969

7.00

Hearing the summons from an elderly man, a volunteer troop of middle-aged men gather to defend their country from dark foreign invaders.

1969

Los Tres Berretines

Los Tres Berretines 1933

5.80

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

1933

Historia de crímenes

Historia de crímenes 1942

1

A bank clerk uncovers the manager's criminal behavior and prevents him from carrying out a murder.

1942

Un beso en la nuca

Un beso en la nuca 1946

1

To get revenge on her unfaithful husband, a woman pretends to be crazy and makes him believe that she takes her doctor as her husband.

1946

Una luz en la ventana

Una luz en la ventana 1942

1

A woman and her two companions get lost in a storm and end up in a creepy house where a mad doctor is conducting experiments in the basement.

1942

Death Walks in the Rain

Death Walks in the Rain 1948

5.80

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

1948

La modelo y la estrella

La modelo y la estrella 1939

6.70

Driven by the passion of his girlfriend, a humble young man gets a place as a singer achieving resounding success. When he gets it, he marries a famous diva leaving behind his youthful love.

1939

La vida es un tango

La vida es un tango 1939

7.00

Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.

1939

Un hombre solo no vale nada

Un hombre solo no vale nada 1949

5.00

An employee progresses in the factory where he works by having his wife pass by an attractive Cuban singer.

1949

Novio, marido y amante

Novio, marido y amante 1948

5.00

A young woman marries an older man on a whim; the marriage is not consummated. She falls in love with her husband's son.

1948

Los pulpos

Los pulpos 1948

5.83

A treacherous provincial girl repeatedly cheats on a young writer who loves her madly.

1948

Adam's Pajamas

Adam's Pajamas 1942

6.00

A recently married woman runs away from her husband upon discovering that he had had a mistress. The father-in-law, determined to fix things, also becomes entangled in a disgust with his wife.

1942

Three Argentines in Paris

Three Argentines in Paris 1938

6.30

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

1938