National Commission for Culture and the Arts

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

Boses (Voices) is the story of a musician named Ariel who offers violin lessons to a child of the slums. Through the violin, the abused child Onyok is able to get back his voice from a mute, desensitized existence. A violin teacher and his student, a mute 7-year old abused child in a shelter, develop a friendship stemming from their love of music. Ariel discovers the immense talent of Onyok hiding behind a veneer of silence and pain caused by an unhappy and cruel father. In the developing relationship of teacher and student, both characters reveal more of themselves that otherwise may have remained unspoken. They discover each other's strengths and failures through the violin lessons.

During the Japanese occupation of the Philippines during World War II, a young girl from Vigan and an idealistic Japanese officer fall in love. With a war between them and disapproval from both sides, the two struggle to find their own piece of happiness in the world as duty and family threaten to tear them apart.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

While trying to cozy up to the sexy and mysterious Mina, who recently moved into the boardinghouse above his shop, unlucky Xerox operator Lito is unwittingly placing his life in grave danger.

Padre De Pamilya is a story about a father Joselito Mirasol (Ariel Rivera) whose only wish is for his children to grow up as good Catholic Christians. Unfortunately, his salary as a government officer is not enough to make ends meet. And because he is working under a corrupt mayor (Tessie Tomas), the temptation to become a corrupt government official are always there.

Set on the eve of a fictional inaugural of the Bangsamoro Government, the film revolves around Daud, a scion of a political dynasty who is reluctant to become a member of the Parliament, and his college buddy Marco, a struggling journalist assigned to cover the inaugural. The duo drive off to the countryside, reminiscing their days as student activists and discovering their deepest longings as hostages of a future they will inherit.

After years of imprisonment in the Middle East for a crime he did not commit, Lino finally returns to his small town. He hopes to relive his lost dreams and bring back everything that was taken away from him. With his red suitcase filled with misery and uncertainty, he reunites with his past. Revisiting what he left behind, he discovers that life went on without him. As he tries to fill the emptiness, he realizes that he is now the void.

“Quezon” marks the continuation of TBA Studios’ cinematic “Bayaniverse”—a series of films based on Philippine history that includes box office hits “Heneral Luna” and “Goyo: Ang Batang Heneral.”

After saving a drowning child 13 feet under the sea, a man has to adapt to living with his developing scales and gills.

A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.

It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).

A fisherman living along the Bicol River searches for his missing wife. His faith in God is tested when he finally finds her.

After the lockdown silenced the Higantes festivities, Tupe finds himself jobless and isolated. He sees a glimmer of hope when he qualifies to receive financial help from the government. But getting his hands on that money is not as easy as he thought it would be.

Lorna, a mother of two, just lost her husband, a fisherman one morning in a tragic sea accident. She was left with no choice but to raise her own family. In a town where women are regarded as inferior, she defies the odds by being the first woman “mangingisda” in order to feed her kids. Will she be able to rule out the ways of the sea? How long till’ the community accepts her defiance?"

Hernan, a lowly informal dweller, gets engaged in a trivial property dispute with his neighbor. He is criminally charged with attempted murder after a heated altercation. He brings out a bolo from the kitchen to confront his neighbor. At that time his wife is slaving herself in Dubai as an OFW, and he is left to give unconditional care to her 2 children from her first marriage.

This documentary features the endangered languages of the Dupaninan Agta in Isabela, and the Tandulanen Tagbanua in Palawan, Philippines. The film follows the journey of Consuelo and Robert against the backdrop of the changing ecosystem in the grasslands of Isabela, where endemic grasses are being slowly displaced by invasive foreign species, and ends in the beaches of Palawan once inhabited by mythological crabs. As a poetic and lyrical rumination on the beauty of words, this docu shows how language is indeed the soul of a culture.