Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.
Adrian visits the seaside with his mother. Adrian becomes jealous when a man is interested in his mother.
Road trip through the periphery of the EU shows present-day Europe through the eyes of a much-travelled six-year-old, wise beyond his years. A fresh look at this old continent: shooting from the hip and free from sentimentality, young Terra questions the usefulness and purpose of borders.
Zdravko is a retired widower. His daughter never visits him and he lives a solitary existence. One day, he notices that people who walk their dogs in the park stop and chat. So he borrows his neighbor's dog, Wolfy, takes him to the park, and his plan works. He finds people to talk to - but he forgets about Wolfy and the dog is gone. What is he going to tell his neighbor?
High school friends Edi, Marko, Katja, Mateja, and Petra are trying to find their way to graduation. Along the way they encounter extremely hostile teachers, offensive policemen, insane parents, and at one point aliens (?!). Will they succeed in reaching their goal: the ultimate 'be here or die' party?
Well, Bizgeci are feathery people and live in the area of dry steppes. Their homes are neat and quite lofty cages. Bizgeci are the link between primates and birds. They keep a domesticated cat and one human being - the professor. Of course, they are not those funny and stupid people you meet with every day in school, at home or during your various activities.
The story turns on a small deception - since they were married, instead of the real thing, the wife has always made Chicory (a cheap substitute for Coffee) for her husband. He never catches on to the deception. For him, the slush tastes better than the best Coffee.
The film is a homage to beauty; beauty in a visual and aesthetic sense, but primarily spiritual beauty, the beauty that normally thrives best in concert with love if we let it breathe, that is; if we are prepared to accept it and share in it. The film is playful, it does not build on the bizarre, but on aesthetics, ethics and spirituality. She and He are in T(herapy), in their individual sessions the more introverted She and the extroverted He talk about and gradually uncover a particularly strong experience that in a way represents a turning in their emotional setback. We gradually realize that they do not have a problem accepting what has happened. She would just like to know where it happened, and He would like to see it all again.
