Ano 1913

In the film, Cunard plays a jewel thief pursuing the same wealthy marks as another thief, played by Francis Ford.

A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons the homely values and begins an affair with a beautiful woman. His wife leaves him, returning to her mother's home where she bears a child. When the husband is abandoned by his lady friend, remorse drives him to find his wife.

An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit.

In the apartment hotel lived the aspiring maid, whose solicitude maintained order in the bachelor's apartment. He was her ideal, and the all-adoring bell-boy was firmly but gently given to understand that maids who read "Heliotrope Glendening's Advice to Young Ladies" look higher than ice-water toters. A compromising complication, however, with an unexpected visit from a beautiful lady, quite convinces the aspiring one that wealthy young bachelors may be the grandest men ever, but their aspirations, when it comes to the crucial test, are not for chambermaids. Science influences his actions so much that he gets into trouble with the police.

Mabel has two suitors - an oily con man, whom she mocks in a very funny scene where she is shown twiddling a fake moustache and making her feelings very clearly felt. Even in this early comedy her natural fun comes through. The one she really loves is clumsy yokel Ford Sterling, who is determined to buy an oil well that the con man has for sale. The conman gets a local fellow to pour oil over the property. Ford falls for it and buys it - Mabel and he are to be married. Then the fellow confesses that it was just a scam - there was no oil.

Overwhelmed by personal and professional problems, biologist Friedrich von Kammacher decides to travel abroad in order to regain the joy of living. During his adventurous journey he will meet two very different women, one of whom will be the key to his fate.

The girl's lessons from the young station agent on the manipulation of the telegraph code served her in good stead. By it, hemmed in on all sides at the lonely farmhouse, she was able to save both herself and her father's money from desperate tramps, an experience which is grippingly illustrated in this Biograph melodrama.

Behold in this film the villain up to his dirty work again, but if you watch the persistent young hero carefully, you will see him gallantly rescue the lady in black about to be burned at the stake, while at the same time he saved the fair heroine from the mad ambition of her father about to marry her to the dastardly ex-governor of Utah.

Rose and her cousin Mary dwell in the land of romance, but real Romeos are scarce in this prosaic age. Yet Rose, in spite of a gay young Lothario who steps in the way of her own true love, finds her way to love-land. That was where Mary's perfidy came in. It showed up Lothario's true character, while at the same time it brought Mary back to her own determined young lover.

Mabel and Roscoe love each other, but her father likes another boy. A rather sissified young man. Roscoe and Mabel stages an accident.

Two young girls are sent away to live with their uncle, which sets off a chain of events resulting in an Indian attack on the town.

After the death of his wife the baby was all the sheriff had left, the promise of hope in the future, and the reflection of all that was dear in the past. But a sheriff has no time to tread a cradle rocker, so the baby started off on the long journey to relatives across the desert. Then the sheriff was called away to hunt the "bad men" of the desert, and found there a deserted prairie schooner, the occupants dead and his baby gone.

Just before she dies, an elderly married woman stashes the horde of money she's secretly accumulated beneath the false bottom of an old shipping trunk. After her death, her husband, believing himself penniless, has to leave their old home and move in with his son's family, where he's treated with no respect or consideration. Also on the scene is a newly-hired kindly young housekeeper. She and the old gentleman become close friends and eventually run away together (taking the old shipping trunk with them).

The question is, would the young tramp really have fallen in love with the groceryman's daughter if he had not caught her in the heart struggle? Be that as it may, she could not find it in her to drown the unwelcome visitor to the pantry, so she let it go and the silent little drama witnessed by the tramp greatly impressed him. Not so the strict aunt, she declared the whole thing to be in exact accordance with everything else in the family. Their hearts ran away with their heads. That was why they lost money on credit, could not pay off the mortgage and send the sick sister to a better climate. As for the tramp, they had no business to take him in. He could not pay for his keep. But the tramp surprised them all.

In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.

The scene is laid for a quiet little wedding. The guests are waiting for Fatty and an ancient maid to be made one. Fatty's rival appears and breaks up the wedding. A lemon meringue pie battle ensues, with the rival the victor. He carries the bride away. A most sensational and ludicrous finish is when he sees Fatty at the foot of a precipitous cliff. In a fit of rage he throws the bride from the top of the cliff at him, who lands unscathed in Fatty's arms.

His mind perverted by the many lies forced upon him, Lang becomes an outcast from the Labor Union. In order to reinstate himself he conceives a plot to do away with the owner of the iron works, an infernal machine stuffed in a turkey's breast. The story tells how the turkey found its way to a table where there was more love than plenty.

A young man falls in love with his mother's kitchen maid, Mabel. But his mother objects strongly, and arranges for him to meet another young woman whom she considers more suitable. Mabel confronts the young woman, and is dismissed from her position. Later, when the young man learns about the new career that Mabel has found, he begins to act in an agitated and unpredictable manner.

Fatty rescues the daughter of the police commisioner and is given a job as an officer as a reward, but its not all its cracked up to be!

When a girl delivering expensive garments loses them to some Irish shanty town kids, her boss, a Jewish clothier, is livid and a fight breaks out. Soon the melee spreads to the whole neighborhood with brick throwing merging into bomb throwing, with the sides on clearly ethnic lines.