Kino Klub Split

Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.

Oleg is a film student who leads a spartan life surrounded by analogue technology. A librarian during daytime, Marta is an avant-garde novelist who works with alternate subjectivity. Narrated from each of their perspectives, Čučić’s film recounts a romance that never ceases to take new shape.

A film within a film within a film within a fish.

A couple meet and walk down the streets of Split all the way to the shore. This is the second film Zafranović ever made and the oldest preserved.

Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.

Break-up flick.

Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.

Compressing one idle day in the life of a young artist by rotating the camera through his room, a sort of a self-portrait of Lordan Zafranović resembles a one-shot film, its grainy photography and moody music suggesting a meditative atmosphere characteristic for Split authors of his generation.

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

Roza is looking for a new roommate. Karmen is looking for refuge.

Experimental short.

Eminently a montage film, Monologue on Split is Martinac’s cinematic manifest.

Meštrović (Exaltation of Matter), is a short film directed by Ivan Martinac, recorded in the production of Kino Club Split. He filmed it provoked by the teasing of Belgrade moviegoers who claimed that “mostly eating and drinking is done in the Split cinema club”, which was not far from the truth. Still, the wounded pride and anger took their toll, and in 1960 he filmed his first “Split” film — Meštrović (The Exaltation of Matter) with which he succeeded. At the international film festival in Vienna, he received a UNICA bronze plaque, the first international award received by amateur cinematography in Yugoslavia at the time.

Briefly depicted fragments from the characters' lives, through summer and winter, as each of them suffers a loss. Cinematic meditation on inevitable loss.

Creating mystical cinematic supernovas through elaborate cutting techniques.

Roko and Mirela are friends from Split. A big music festival is taking place in the city and Mirela wants to go.

Conceptual-structural film by Branko Karabatić exploring media and television.

An experimental film with no plot. Consists mostly of static shots portraying train wagons. The word COMPOSITION in Serbian has a triple meaning here – a train composition, composition of a shot, and music composition. Regarding the third meaning, the “soundtrack” of the film is a 5 second loop that keeps repeating itself over and over again.

Short observations of one or more journeys, somebody's smile and a dog.

Experimental film by Ivan Martinac.