Susan is a filmmaker working on a documentary about subway suicides at Mexico City. Roberto is an undocumented Mexican immigrant who cleans windows in New York. Roberto meets Susan and they start hanging out, sharing their own experiences.
Alejandro works at nights in a supermarket. He's sort of a depressed boy, at work he meets Andrea who's going to help him find purpose in life.
While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.
31 Dias (31 Days) is the story of Eva (Irán Castillo), a young and beautiful psychologist and author of a series of self-help books about modern women and their love relationships. For her next bestseller she has decided to prove her most daring theory: After the first 30 days together love ends, so the only way to have a meaningful relationship in this new millennium is when the couple part ways after the first month. At a magazine's photo session Eva meets Adam (Lorenzo Balducci), an attractive Italian photographer, and she decides he's perfect as her study subject. She will live a very intense relationship with Adam during 31 days, in order to prove her theory is right. However, what she is not aware of is that Adam is using her own advice from her books in order to make her fall in love with him and teach her a lesson. What neither of them suspects is that they'll come to learn that love has no rules.
After Moishe's death, family and friends sit Shiva in Mexico City. During seven days, secrets will be disclosed.
A documentary from Veracruz tells the story of eight individuals who inherited Jewish traditions and practiced them in secret. For years, they hid their true faith by outwardly following Catholicism, preserving their rituals quietly until they felt safe to openly embrace their heritage. The film captures their struggles, resilience, and the rediscovery of their cultural identity.
April and May are two young girls running away from the police. They have murdered, beheaded and eaten parts of their victims.
