Morocha Films

Ximena, a successful psychiatrist, receives an unexpected visit from her elder daughter, Tamara, after a long time without seeing her. Her stay at a spiritual community has distanced and completely changed her. While Tamara takes refuge in her mother's home, an investigation is opened into the disappearance of Tamara's newborn son in strange circumstances within the sect to which she belongs. Both the law and Ximena will try to find out what has happened to the missing baby.

The story, told by the survivors, of a group of young men, members of a Uruguayan rugby team, who managed to survive for 72 days, at an altitude of almost 4,000 meters, in the heart of the Andes Mountains, after their plane, en route to Chile, crashed there on October 13, 1972.

After being expelled for a flagrant foul during a match in Primera C (the fourth division in Argentinian football), Patón Bonasiolle, the captain and midfielder from Talleres de Escalada, realizes his career as a footballer has come to an end. At the age of 35, this means the end of a world he has known since he was a child. Together with Ale - his wife - he looks for a fresh new start.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

A couple search for love but never quite seem to meet.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

A story set in Uruguay in 1993. It revolves around an investigation by a law court lawyer, Julia. She's looking into the possibility that a chemist named Eugenio Barrios is being secretly sheltered in Uruguay by right-wing political powers.

In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.

Helmut has been working as a private investigator in San José for almost ten years. One night he receives a call from his ex-partner: their teenage daughter, Ámbar, is in a coma as a result of a run over. After fifteen years without knowing anything about Ámbar, Helmut discovers unusual circumstances surrounding the supposed traffic accident, which will result in an obsessive investigation that will force him to face his lost fatherhood.

Deep in the lush river jungles of Argentina, Alvaro lives a solitary existence fishing and harvesting reeds. What sets him apart from the rest of his village is that he is gay. There are no other gay men in his world, his only means of expression is with the occasional outsider who passes through. Most of these men come via the river taxi El León, whose captain El Turu is a mean man with a homophobic streak and a secret. When illegal loggers appear in the jungle El Turu accuses Alvaro of aiding them, a dispute which leads both men towards confrontation.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

Set in the north of Argentina. Yolanda, a young girl of Wichi origin, tells in her native language (Wichi Lhämtes), the story of how, as a family maid in a "criollo" home, she has her hair unjustly cut: this is her most particular trait, her beauty. This event jeopardizes her cultural ties with the "criollo" world and defines her destiny.

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.