Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".
The fourth film in Alanis Obomsawin's landmark series on the Oka crisis uses a single, shameful incident as a lens through which to examine the region's long history of prejudice and injustice against the Mohawk population.
A teenage boy rebels against parental authority and must face a harsh reality when he tries to live on his own.
Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
Breast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actually achieve? Pink Ribbons, Inc. is a feature documentary that shows how the devastating reality of breast cancer, which marketing experts have labeled a "dream cause," becomes obfuscated by a shiny, pink story of success.
In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.
This feature-length documentary from 1974 takes viewers inside Fidel Castro's Cuba. A movie-making threesome hope that Fidel himself will star in their film. The unusual crew consists of former Newfoundland premier Joseph Smallwood, radio and TV owner Geoff Stirling and NFB film director Michael Rubbo. What happens while the crew awaits its star shows a good deal of the new Cuba, and also of the three Canadians who chose to film the island. (NFB)
In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.
Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth - moments in wildlife never before seen on film.
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness. The result is two remarkable documentaries: the first, NCR: Not Criminally Responsible, premiered at Hot Docs in the spring of 2013 and follows the story of a violent patient released into the community. The second film, Out of Mind, Out of Sight, returns to the Brockville Mental Health Centre to profile four patients, two men and two women, as they struggle to gain control over their lives so they can return to a society that often fears and demonizes them.
The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.
From the moment she was born, Vaysha was a very special girl. With her left eye she can only see into the past, and with her right she can only see the future. The past is familiar and safe, the future is sinister and threatening. The present is a blind spot. In captivating parabolic imagery, the award-winning animation artist Theodore Ushev illustrates the world through Vaysha’s eyes.
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
First Winter is a 1982 Canadian short film directed by John N. Smith. With the father away, an Irish immigrant family struggle to survive their first winter in the Canadian wild. The film was nominated for an Oscar for Best Live Action Short Film.
This documentary chronicles the story of Darrell Night, an Indigenous man who was dumped by two police officers in a barren field on the outskirts of Saskatoon in January 2000, during -20° C temperatures. He survived, but he was stunned to hear that the frozen body of another Indigenous man was discovered in the same area.
They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
High school is over, summer is ending, and Jake must say goodbye to his best friend Sarah but can’t. Instead, he confesses his true love and his desire to go with her. When Sarah rejects him, Jake seeks out escape by any means necessary: random sex, violence, going crazy, even buying into Charles’ deluded dream of driving to Toronto to become a stand up comic. But Jake’s real escape route leads not along the open road. It leads in the direction of a crazed dancing stranger.
