Jörn Donner Productions

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

Finnish Kerttu Nuorteva is spying for the Russians in Helsinki during World War II. She is arrested and interrogated in the hope that she will uncover the Soviet Union espionage tactics.

Finnish friends escape taxes to Florida.

Tuula's husband Jukka takes care of all domestic chores. Tuula seems to have no idea that her husband spends his evenings working as a major league ice hockey referee. She also finds out about his extra-marital affair with a female rally driver. In revenge, Tuula starts seeing her gynecologist Timo Paasi, a married man with six children.

Film adaptation of Vladimir Nabokov's debut novel, 'Mary'.

The director of one of Finland's largest company, United Metal, discovers the company's Chairman dead in the office. A chain of bribes unravels.

A woman who has been raped by a man at a party plots and executes an elaborate and humiliating revenge.

The events surrounding a factory in a small town are gone through in documentary style.

Lasse is a car salesman who has vowed to never get married. He wakes up hung over one morning with a wedding ring on his finger and a nude woman in his bed.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

On the eve of the Finnish Civil War, the film follows the last days of Alfred Kordelin, the richest man in Finland.

A doctor, her daughter, and her young housekeeper spend their summer on a remote island.

A war movie that takes place in Finnish Karelia in 1944.

Juha is a sales manager of a refrigerator company. His perfect-looking family and glittering array of modern kitchen appliances have just been featured in a magazine article, but in reality Juha is a womanising chauvinist more at home on the road than with his family.

By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.

Goodbye Gibraltar, directed by Ulrika Bengst, is a film about reconciliation, encountering different lifestyles and dreams.

In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.