We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.
After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.
When an Ethiopian boy moves in with distant relatives he takes his pet sheep with him but the upcoming holidays spell danger for his beloved friend.
In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.
Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.
An extraordinary and necessary essay film constructed entirely out of a vast archive of news footage from the ‘80s and ‘90s, OUR MOVIE (NUESTRA PELICULA) is a response to the violent history that imprinted itself on the director in her formative years in Colombia. Images of blood spatters, bullet holes, coffins, and Colombians marching in the streets become an abstract net of quotidian sorrow.
A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path.
Claude, a photographer lacking inspiration, takes medical photos for a surgeon specializing in eyelids. One day, Frida, afflicted by a drooping eyelid, sits in front of his camera. Claude's artistic research will then clash with Frida's intimate wound.
Over there, in his village at the foot of the mountains, he’s dead. His face radiant and his body at peace, he lies on the bed. Then they can gather around him. Three days long they talk, drink, weep, fight and remember… And they smile, too.
In northern Peru, deep in the Amazonian jungle, Amadeo is the last Taushiro. He is old, his body is tired, he knows he will die soon. We follow him in his solitude and his rituals. He uses his native language to talk to the trees, to the spirits of the animals he hunts and to his brother who died a few years ago. By taking a close look at Amadeo’s daily life, the film questions bigger issues : the destruction of the Amazone, the disappearance of indigenous people and cultures.
Yasmine, a twenty-two-year-old Franco-Maghrebi, has taken to the sea to live her life. She secretly loves N'dé, a black African woman in her thirties. On the occasion of Eid, she visits her family for a few days. Yasmine finds her sister, her father, her mother. With each of them, a relationship is revealed at the same time as an unusual trench warfare emerges, where everyone lives huddled together in their own vital space. Yasmine is overwhelmed by this violence.
A portrait about a Cuban family and Jenni, a professional 100 m sprinter…
In a universe that looks like nothingness, two beings seem to exist only to come into contact.
A wise old man embarks on his final journey, entering the Colombian jungle to find a place to die. But the paramilitary soldiers who control the area endanger his peaceful transition to the realm of the dead.
Young and promising Chechen MMA (Mixed Martial Arts) fighter Khavaj must flee from Chechnya to Brussels when his brother discovers his homosexuality and promises to kill him. In an episode of silence, the young man finds comfort in the Planetarium, among the silence of the stars. In this documentary, which traces his first months of life in Belgium, Khavaj slowly observes how the last link that ties him to Chechnya disintegrates. The life of yesterday is in past, but the future is not clear yet.
Vincent spots Jean-Christophe on the beach, bumps into him not so accidentally, and they hit it off during a fun evening and night. But the next morning Jean-Christophe reveals something that turns Vincent's life upside down. How will they get through the day?
