The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
A darkly brilliant stop-motion adaptation of The Pied Piper of Hamelin about a plague of rats that punish townsfolk corrupt with greed. One of Czechoslovakia's most ambitious animation projects of the 1980s, notable for its unusual dark art direction, innovative animation techniques and use of a fictitious language.
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Mickey falls through the dark into the Night Kitchen where three fat bakers are making the morning cake and so begins an intoxicating dream fantasy in this animated short adaptation of Maurice Sendak's 1970 Caldecott Honor children's picture book.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
Documentary short about the title composer, born in what was called "Czechoslovakia" when the film was made.
Little Rehor isn't allowed to play with the other boys. His only friend is the girl next door, Luci. Rehor's father is doctor on a boat and he has sent Rehor a package with butterfly larvae. When they hatch he discover a fairy who can do magic tricks.
Animators and urban planners both create worlds, but Czech stop motion specialist Jiří Barta's ingenious paper cut-out short punctures the stifling architecture of communist housing. Skilled hands blueprint an apartment tower standardized specifications. Envelopes contain the elements of each home. Family dwellings, bachelor pads, scholarly studies and artist studios: different social configurations are permitted but restrained to the same uniform box. A dystopian revision of the REAR WINDOW scenario, THE DESIGN's darkly comic social critique still has teeth.
Mamluk is an unassuming, handsome young peasant who happens to have come along just in time to save the king from a fatal trap, and as a reward, the king offers him the amount of land he can mark off by walking around in one day but he must return to the starting point before sunset.
