SET Film Workshop

This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones.

Night life of a transgender who has his own story.

A civil servant taking shelter from the rain in front of a laundry shop. Then, he was given a bag of laundry clothes which he thought belonged to the laundry shop clerk. Unexpectedly, he took the bag containing lots of clothes and ran away and sparked a commotion in the surrounding community.

Slank is a legendary rock band on the Indonesian scene, known for their politicized lyrics and activism, and for its fanatical fan base - known as "Slankers" - who see the band as something to coalesce around to promote peace and unity in their country. 'The Blue Generation' uniquely combines dance sequences, footage of live performances, interviews, and animations about Indonesia's political history in a gloriously energetic and inspiring manner.

A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.

Set in and around a mosque in sprawling Jakarta, Indonesia, during the Muslim holiday of Lebaran, the interwoven stories of family, faith and romantic love in this humorous yet poignant film are revealed through the eyes of kids.

The documentary presents a free jazz collaboration by Western jazz artistes Guerino Mozzola, Heinz Geisser, and Norris Jones, along with the community of Lima Gunung, the Sono Seni Ensemble, and the art community of the Boko, Prambanan and Borobudur temples. The scenes in the film are mostly taken around these three ancient temples. Drawing reference to the "jazz" of everyday life, Nugroho juxtaposes the domestic life of the village communities with the free form musical structure. In essence, free jazz parallels the lives of these communities: They adjust to the natural forces which affect their surroundings and are flexible to improvise when the need arises. Teak Leaves at the Temple is a fascinating piece of tapestry weaving together the diverse cultural influences of Indonesia. Under the masterful direction of Nugroho, this film promises yet again to deliver a breathtakingly beautiful journey into the heart of Indonesia's cultural heritage.