Ključna riječ Casanova

Connor Mead (Matthew McConaughey) obožava slobodu, zabavu i žene. Tim redoslijedom. Ali noć uoči vjenčanja svog brata, u kući punoj uzvanika i Connorove prijateljice iz djetinjstva (Jenny Garner), jedine žene koja je naizgled uvijek bila imuna na njegov šarm, Connora posjećuje duh njegova pokojnog ujaka Waynea (Michael Douglas). Ujak Wayne mora mu prenijeti važnu vijest uz pomoć duhova Connorovih odbačenih djevojaka. Stoga ga odvodi na urnebesno putovanje kroz život pun propalih veza.

Marcus (Eddie Murphy) je uspješan menadžer i veliki zavodnik kojemu gotovo nijedna žena ne može odoljeti. Nakon što u firmi za koju radi dođe do promjena, on se odjednom nađe u situaciji u koju je sam nekad stavljao žene. Lijepa Jacqueline (Robin Givens) ponaša se prema njemu seksistički, što se reflektira i u njegovom poslu. Uspješnom menadžeru je krenulo nizbrdo, ali Jacquelinina tiha pomoćnica Angela (Halle Berry), koja je hodala s Marcusovim najboljim prijateljem, otkriva se kao žena koja je itekako vrijedna pažnje i ljubavi. Marcus će morati promijeniti svoj pogled na život ili će ga novonastala situacija potpuno uništiti. Izvor:www.mojtv.hr

Castle Dux, Bohemia, 1798. Casanova, now a penniless librarian in his seventies, tells Edith, a young kitchen maid in the castle, his remarkable life story, and about falling in love with Henriette.

Exiled from his beloved Venice, Giacomo Casanova flees to Paris at the dawn of the Enlightenment in hopes of putting his reputation as a playboy behind him. But old habits die hard, and temptation is everywhere as Casanova finds a wealth of new opportunity... and trouble. Part of Amazon's fall 2015 pilot season. Currently only the pilot has been made.

The Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798, but in this six-part series Dennis Potter attempted to find a contemporary relevance through his central themes of sex and religion. He commented that Casanova "was concerned with religious and sexual freedom, and these are the things we have to address ourselves to now." Casanova was imprisoned in Venice in 1755, and Potter used that event as a central device, constantly inter-cutting to contrast Casanova's amorous escapades, radiant, joyful and brightly lit, with his oppressive solitary confinement in the gloom of a half-darkened cell.