42 Km Film

A Romanian police officer, determined to free from prison a crooked businessman who knows where a mobster's money is hidden, must learn the difficult ancestral whistling language (Silbo Gomero) used on the island of Gomera.

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

A cop named Cristi must go undercover to trail teen Victor who is suspected of selling pot in the north-eastern city of Vasliu.

Costi is a family man whose cash-strapped neighbor makes him an intriguing proposition: help him find the fortune reportedly buried somewhere on the grounds of his family’s country home in Romania and split the profits.

A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.

Roman returns to the land near the Ukrainian border he has just inherited from his grandfather. Fully decided to sell this vast but desolate property, he is warned by the local cop that his grandfather was a local crime lord and his men will not let go of the land - and their smuggling business - without a fight.

A deceptively simple set-up: the director and his father watch a 1988 football match which the father refereed, their commentary accompanying the original television images in real time. A Bucharest derby between the country’s leading teams, Dinamo and Steaua, taking place in heavy snow, one year before the revolution that toppled Ceaușescu.

Ana is 30 years old and lives with her parents. As her ex-husband takes their daughter and her nagging mother to the countryside, she prepares for a laidback evening with her friends. Soon she comes to realize she lost her cell phone which prevents her from receiving a much awaited call from her previous night's stand. Her friends, Iulia, Andrei and Marius, arrive and try to watch a movie. The screening is frequently interrupted by an increasingly annoying and rather absurd dialogue that takes place between the thief/finder of the cell phone and Ana.

A meticulous ambulance driver working in poverty-stricken Bucharest, who takes part in an armed robbery together with three men he barely knows. As the robbery ends in disaster, Bogdan starts a thorough, almost compulsive investigation to dig up the true identities of his accomplices, but the more he discovers, the deeper he sinks into a spiral of fear and paranoia.

“Last autumn, a good childhood friend of mine, Florin, told me that his brother, Laurentiu, invented a new sport by changing the rules of football. One month later I went to Vaslui, my hometown, with a small film crew in order to learn more about this new sport...”

This slow-burning mysterious thriller follows Angela, a single mother of three daughters whose seemingly perfect life is turned upside down by a late-night arrival of an old family friend, Carmen. What does Carmen want and why has she come after all these years? This thriller "with an arthouse twist" was produced by renowned Romanian director Corneliu Porumboiu and directed by British director Tom Wilson.