The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
Adelaide and Virgínia met in 1937, a year after the German arrived in Brazil, fleeing the Nazi persecution of the Jews, where she came with her husband and two daughters. Together, they founded and popularized psychoanalysis in Brazil, breaking down barriers and prejudices. They were doctor and patient for 5 years, colleagues for more than 30 years, great friends their entire lives.
The documentary closely follows the turbulent months of the electoral period that culminated in the invasion of the National Congress, the Planalto Palace and the STF on January 8, 2023.
A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
A documentary on the career of Beth Carvalho, the Brazilian singer who became a well known samba legend from the 1970s onwards, edited together from hundreds of hours of footage and audio files kept (and partially recorded) by Carvalho herself during her lifetime.
Unpublished images and exclusive testimonies from the main figures in power who tell how they faced the coup threat of January 8, 2023, a recent trauma in the country's history and revealing something that still remains hidden.
Behind the scenes of news coverage during the pandemic. Follow the work of the professional press in a fight against denialism.
The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.
Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.
The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
Italian emigration to Brazil was one of the biggest migrations of all time. This precious exploration of almost 150 years of history and work was filmed in the mountainous southern region of Serra Gaúcha in Brazil, where a population largely originating from Trentino and Veneto introduced viticulture and still speaks the talian dialect, and in the areas of northern Italy where the families came from. The film returns there in search of the memories and traditions handed down to their descendants.
Between repetitive actions such as stocking shelves and scanning groceries, anonymous Brazilian supermarket employees reflect frankly on their lives, society, and the role they dream of playing in it.
Through reports from people who live or have experienced the routine of fighting drug trafficking and the police, mixed with reports from security specialties, psychologists, writers and journalists, we want to present the public with both sides of the same tragedy. Without taking sides either way, bringing the viewer to reflect on our current public security policy and its consequences on the lives of the population.
