Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."
Based on Henrik Ibsen's play from 1877.
A 1916 film directed by Chester M. Franklin.
Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.
Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.
Doug is an American mining engineer. Pres. Valdez of Paragonia wants him to reopen the country's mines. Doug is not interested ... until he sees the President's beautiful daughter, Juana. Valdez returns to Paragonia, but is deposed by Generals Sanchez and Garcia and locked in San Mateo Prison. The Americano arrives...
After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.
Steve O'Dare, a young New Yorker who has gone off to Wyoming to be a cowboy, returns to New York to sell some cattle. He bores his friends with tales of the exciting Western life, so they plot to trick him with a mock abduction. But although Steve falls for the gag, he ends up turning the tables on his friends.
A 1916 film directed by Lloyd Ingraham.
The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.
A woman is stuck with an unfaithful husband until he is killed robbing a bank.
The theft of a sacred diamond band from a Hindoo shrine starts the action.
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches maturity, he is sent to attend the University of Heidelberg, and finds fellowshi with classmates and a blossoming love with Katie Ruder, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. War is declared. Heinrich returns to Heidelberg one last time to bid a somber farewell to his beloved Katie.
A young man fights to overcome a piratical arms smuggler and to win the heart of a rich man's daughter.
Renee is a French artist's model who uses morphine as an escape from the dull reality of her life. She recommends it to a neurotic artist because "it kindles the fires of genius." The artist quickly becomes addicted to the drug and the quality of his work begins to disintegrate. He takes on a new model, marries her, and starts her on the same path of moral degradation, until a guilt-ridden Renee decides to intervene in order to save them both. According to silent film historian Kevin Brownlow, THE DEVIL'S NEEDLE was banned by the state of Ohio, but the censor board reversed its decision after recognizing the positive message beneath the film's scandalous surface. This special edition was mastered from a 35mm preservation print of the 1923 re-release version. The only known surviving copy, the element suffers significant nitrate decomposition during some scenes.
A 1917 film directed by Paul Powell.
A 1917 filmd riected by Chester Withey.
