Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural. This film is assembled from firsr season episodes of the Danish TV miniseries The Kingdom I. It does not include episodes from seasons 2 or 3.
Ludovic, a 12-year-old boy from a well-off home who is neglected by his parents, who are part of the art scene, falls head over heels in love with Sofie, the daughter of a piano teacher, when he has to pass a test of courage in the schoolyard during recess. The cheeky girl with the two pigtails likes the boy who is interested in her. They soon get closer and meet in secret places in the city. It is the first love for both of them. Shortly after Sofie's father catches the two lovers naked in bed together in Sofie's room, Ludovic is sent away from Brussels to spend time with his grandparents. But Sofie can't stand it without Ludovic and runs away from home to be with him. The lovers hide in abandoned buildings on the Belgian coast. While parents and police search for the couple, both youngsters find that it is pretty hard to be on their own, especially since an ominous photographer is lurking around the children.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.
Graeme Warrack was Divisional Chief Doctor of the 1st Airborne Division at the Battle of Arnhem in September 1944. With other doctors, medical personnel and padres, he stayed behind with the wounded. The first improvised hospital was a German-occupied Dutch military barracks at Apeldoorn. From here, the wounded were transported to prisoner of war camps in Germany. As the last of the wounded left, Colonel Warrack escaped.
A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.
Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.
It is an autobiographical fiction starring Ivens as an old man who has spent his life trying to "tame the wind and harness the sea" by capturing them on film.
Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.
In Cross Now, during a blazing row with his boss, strangely enough architect Michael Ponsford still gets his promotion. However, he does not get much time to enjoy it, because, in the middle of the argument, his boss suffers a heart attack. And he is not the only one to die. Ponsford is haunted by death: the woman with whom he had been flirting for too long, his wife's father, one of his competitors, they all succumb. Finally, Ponsford's young son also dies.
Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.
Film version of the dance performance of the same name.
This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.
The story of the great Soviet composer Dmitri Shostakovich (1906-1975) and his life and career during the rule of Stalin.
Debuting Iraq-born, Netherlands-based writer/director Ibrahim Selman starts out on docu ground, with a voiceover explaining his objectives and the film’s stand-in location, and recalling Kurdistan before the advent of war. He then shifts into narrative mode, with glimpses of life in a mountain village caught in the conflict between Iraqi military authorities and peshmergas (guerrilla freedom fighters).
Television registration of the play of the same name that Annie M.G. Schmidt wrote for Toneelgroep Amsterdam. In a side room of a congress building, mother, son and daughter await the arrival of father, who will be honored for his services in the pharmaceutical industry. But father is delayed; the meantime is filled with conversations. The mother turns out to be having a lesbian affair. The play was poorly received.
A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.
Adaptation for television of the stage play of the same name by the Dutch playwright Herman Heijermans. When lodger Eva Bonheur lends her landlady Mop two thousand pounds and Mop is unable to repay her, Bonheur gets control of the house and decides to put Mop, her husband Jasper and their daughter Miep out on the street.
