La Fondation Gérard Courant

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

Every Good Friday, the inhabitants of Burzet, in Ardèche, redo the Way of the Cross of Christ's Passion. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters of this way of the cross, seven centuries old. Gérard Courant gathered and edited the rushes of this shoot and made five films. The last, entitled "Burzet", presents the village and shows the preparations for the Stations of the Cross of Burzet

Madrid, a stroll in the Spanish capital with Joseph Morder followed by the snowstorm that paralyzed the Paris region on December 8, 2010.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

The films of Marilyn Monroe, sped up by Gerard Courant.

"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).