Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
Madrid, 2021. The parks are empty. There are regional elections. And final exams. Meanwhile, Pedro, Kiko and Jesús agree to star in a movie.
Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
Silvestre Andazola, an actor whose glory seems to have passed, enters his dressing room after another disappointing performance of "King Lear" at the theatre. Someone else appears to be with him in the room.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
A boy and a girl who have just met transport a corpse on request to the north of Mexico. When the police discover them at a routine check, they are forced to flee. Forced to team up, they will abandon their secrecy and mistrust while trying to assert his only heritage: a dead man who they only know is worth money if they manage to take him to his destination.
It's summer. A girl goes into the sea, looks back and smiles at her friend, who is recording an Instagram story. On the same beach, a fully clothed woman looks around not knowing what to do and decides to leave. A webcam records her movements. This is a film that, through personal stories, delves into the issues of self-perception, fear and the relationship with our body.
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
When time seems suspended, young people meet in the forest
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
On the periphery, the city's waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.
Ramon takes care of the cemetery. He spends his life among those who have none. His routine is disrupted when he meets Sole, the florist who has come to take charge of the stand on All Saints' Day. With the excuse of buying flowers, Ramón comes again and again to see her, without realizing that something is changing in the cemetery and also in him.
Two Spanish provincial prostitutes fantasise about their future life in the capital, Madrid.
A glimpse into the day of a son visiting his sick father. The film follows the son as he helps his father with his daily routines, while trying to create a connection with the distant figure.
