Impress Telefilm

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

Political Satire '420's double-up '840' aka 'The Great Bangla Democracy Private Limited.'

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

Based on 1947's book 'Ekoi Namer Golpo' by Hasan azizul Haque.

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

Rahmat, a fruit seller from Kabul, comes to Bengal Province to hawk his merchandise and becomes friend of a small girl Mini, daughter of a Bengali writer.

After realizing his stolen phone belongs to a famous actress, a scheming daydreamer uses the opportunity to blackmail her.

The film brings to light the lives of jatra artists and their struggles to make a living off the dying performing art.

This is the story of the indomitable dream of two young brothers and their incredible journey in life and their car that has never been defeated. The story of human spirit, sufferings and simple joy.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

Shuvaa was named as Shuvashini (one who has melodious voice) but she grows as deaf and dumb. Her father married off her two elder sister Suhashini and Sukeshini with grant ceremony. Now its Shuvaa's turn. Shuvaa and Protap from the same village love and understand each other. Protap asked her father to marry her and her father comes to Protap's parents with marriage proposal. Govinda Goswami refuses the proposal and insults him. Being refused and insulted, Banikonto leaves the village with his daughter and wife to his eldest daughter's house to marry off Shuvaa. Soon after her marriage, her husband Nibaron learns Shuvaa's condition that brings misery for her.

This story and screenplay has been created with the essence from the poem “Hathat Dekha” by Rabindranath Tagore. Unseparated untouched but with times of age flowed to turn them old but they met each other in a railway compartment.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

During the Bangladeshi war for independence in 1971, a group of people flee from their villages towards a safe border.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

A portrayal of a male dominating era, where women are blamed and punished for everything.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.