Vinsælt Frá Tajikistan

Story of a Tajik cart driver.

Nilufar, a girl living downtown, is about to marry a man living uptown. But one day, soldiers come and plant barbed wire to separate the two towns. The life of the people, who have thus far enjoyed peace, now falls into severe chaos. Students must take classes with barbed wire in the middle of the classroom, and it becomes difficult to go to the hospital. However, the biggest problem is Nilufar's wedding. Kirill, the chief of the climate observatory, tries his best to help her wedding, but then a terrible tragedy occurs.

In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...

A simple fable about a teacher's quest for justice. The teacher's neighbor not only ogles his wife, but builds an outdoor toilet right beside the teacher's house. When he is refused any legal recourse, the teacher decides to get revenge by building a latrine for the entire village outside his neighbor's house.

Twenty-year-old Kamal has been married for a few months but his wife is still a virgin. Learning that there is nothing physically wrong with him after visiting a doctor, Kamal sets off to town to search for another woman. The city is full of them but Kamal is still unable to meet anyone, until a chance encounter on a bus. But it looks as if this accidental meeting will take Kamal much farther than he was prepared to go… By the director of ‘Angel on the Right’. —Celluloid Dreams

Anora, a Tajik teenage girl, experiences the coming of age. Due to the ambiguity related to her absent father, the closed borders caused by the pandemic, and the fear of uncertainty, Anora has to grow up in the course of a night.

The Chairman of the collective farm Sattar Safarov devoted many years to growing cotton. But a new time is coming, and with it another generation of cotton growers. Among them is Safarov's son, a young scientist Murad, who bred an original variety of cotton and wants to sow it in the fields of his native collective farm. Safarov does not dare to experiment. Murad quarrels with his father, but then realizes that he is right. After a while, Murad has the idea of searching for new varieties using a computer. With his friends, the teacher Yamschikov and cyberneticist Timur, Murad begins to make the first experiments…

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

A poignant reminiscence of the love story between the poet Rustam and the young pilot Gulshod, who tragically died during the Great Patriotic War, heroically performing an aerial ramming maneuver.

Mira returns home to Dushanbe from Russia to visit her father, a wastrel who is completely addicted to a game called "odds and evens," or Kosh ba Kosh. When another player comes to collect on gambling debts and finds nothing of value, he sets his sights on Mira.

Three boys wander around a large town in Afghanistan, looking for empty bottles and cans to recycle to get them some money for food. During their walk they talk about what's on their minds. Every now and then, the director asks his protagonists for some explanations, such as why they share a loaf of bread they just got with a boy they don't know. One of them answers very matter-of-factly: "As God gives to us, we must give to his people."

Tajikistan on the eve of the declaration of its Independence. Komsomol, KGB, bread deficiency, inflation. Kahhor and Mannon, the two old friends, are tested when one of them gets the lucky lottery ticket as his salary.

Early documentary by Orzu Sharipov.

About the traveling actors of Tajikistan and its first theaters in the twenties.

The story of an energetic Russian woman, Tamara Fedorovna who moved to Leninabad in the 1950s and, as a pensioner, became a trainer for a men’s soccer team and performed in the local amateur theater. Then, after three or four years, thousands of Russians would have to leave Tajikistan as would Tamara.

Davlat is a Tajik merchandiser and a humble father of three children. A well respected businessman in the Pamir area, a mountainous region southeast of Tajikistan in the borders with China. His life has been transformed since the opening of the Tajik-Chinese border and the reconstruction of the old Silk Road: A road full of surprises and new experiences for Davlat and his family.

Echoes of the October Revolution finally reach remote Central Asian mountain hamlets.

An unknown woman who happens to be an Alter Ego of the film director starts a journey in Tajikistan countryside. The film she makes on the way touches upon the topics of existence, image, and traditional culture.

Globalisation, politics, and religion are ruthlessly stamping out the last remnants of traditional culture in Tajikistan. Today, many of these ancient traditions survive only in the mountains, where music and dancing still accompany people in joy and sorrow, just as they did a thousand years ago. After hearing a recording of a Tajik instrument called the maddoh many years ago, British musician Leo Abrahams was struck by its unusual beauty, and travelled to Tajikistan in an attempt to hear the music in person. In Rhythms of Lost Time, Leo travels the country and meets local residents, who introduce him to the hospitable and rich culture of Tajikistan. Together, they draw back the curtain on the challenges that traditional culture and the Tajik people have faced both in the past, and in the present day.

Lola's father leaves according to old traditions and tries to keep the reputation of his daughter unstained while local arts club director pressures her to sing at the annual youth festival.