Llorona is a figure unique to Mexican folklore -- the wailing spirit of a woman who lost or killed her child and now returns to seek revenge and haunt the living. With its framing story and flashback structure, this film sets forth a couple of variations of the story.
Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.
Rocio and Raphael are a young couple from a small Spanish town. Rocio must mourn the death of a relative for six months and is forbidden to see Raphael. Very much in love, they are frustrated by the old-fashioned customs of their village. When they can finally see each other, the two plan to soon marry. Unfortunately, the girl's grandfather dies and she must start the process of mourning all over again. This time Raphael begs her to rebel against her family and the villagers, but she refuses for fear of persecution. When Rocio has had enough of putting her own happiness aside, she decides to run away with Raphael in spite of what her family will say. Things do not go as planned, however, when yet another family member passes away.
After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.
The story of two loves: a young boy that falls in love with a girl of his school, but she is more mature and finally forgets him; and the story of a man and a woman that live in an residency for old people and can't see each other.
A playwright boasts he can commit a perfect crime in front of his friends, a police chief, a physician and a theater owner. Later, when the playwright's wife disappears, foul play is suspected. Did he murder her?
In an isolated villa, Davide Lugani lives with his wife, Carlo, his brother, and their secretary Paolo. Wheelchair-bound Carlo is blind and mute, but his abnormal sensitivity allows him to predict events before they happen. Davide dies of a suspected heart attack and Carlo's nurse is shot dead. The police suspect Davide's widow as well as Paolo, who seems to be her lover. Just as the pair are about to be arrested, there is a twist...
Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.
Lucas, shy and repressed, and sanctimonious Enriqueta are parents of nine children, so he decide to convince her to take the contraceptive pill.
Another winner from Hungarian director Ivan Szekely (aka S.K. Seeley and Steve Sekely), A Nosty fiu Esete Toth Marival was released in English-speaking regions as I Married for Love. Feri Noszty (Paul Javor) is a handsome but irresponsible Hussar officer who prefers a life of wine, women and song to his military responsibilities. Unwilling to bow to family pressure, Feri refuses to marry heiress Mary Toth (Eva Szorenyi) for her dowry alone. But Mary falls in love with the prideful Feri, and to win his affections she poses as her own poverty-stricken maid. Based on a novel by Kalman Mikszath, A Noszty Fiu Esete Toth Marival was filmed simultaneously in Hungarian- and German-language versions.
