Dean Film

How Funny Can Sex Be? is an nine-episode anthology film about love, sex and marriage in contemporary, mid-'70s Italy.

7 segments about life in 1990s Italy: two MPs from the opposite sides of the political spectrum spend the night together; during their honeymoon, a woman cheats on her husband with her favorite soap opera star; a married man pretends to be ill to seduce his younger nurse; a family discovers that their son's beautiful fiancée is transgender; an unsatisfied single woman is duped by her celebrity crush for Kevin Costner; two best friends want to have fun; a couple on a tropical holiday is fascinated by their indigenous masseuse.

An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.

Patricia, a journalist, is fed up with all the stupid chores and being ridiculed by her colleagues. To show her talent, she challenges her director Eugenio to test her. She will write a good article, but if she fails she will sleep with him.

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Elderly Italian who immigrated to Canada after killing a famous soccer player in a car accident must pay off his gambling debts by agreeing to become a human prey in a deadly manhunt organized by his debtees.

Construction worker Oreste and young fiancee Adelaide meet Nello, a cook in a pizzeria. This love triangle often goes to communist rallies, and enjoys the filthy beaches of Ostia. Will the hostile environment pave a way to jealousy?

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

Teresa is a young widow who is concentrated on her little business until she hires Gino.

Seven sketches including the title sketch "I See Naked" in which a fashion editor begins to see naked women everywhere he goes.

The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French headtown. The pair decide, to avoid the scandal, to live as brother and sister. He will later leave for the war in Lybia, she will find solace and sexual satisfaction in the arms of the family chauffeur.

Ten segments, all starring Johnny Dorelli and all having sex and sexual perversions as main theme.

Roman TV technicians Fabio and Enzo have been unable to find decent jobs. They decide to crack a safe at a jewelry in Milan. To get the layout of the store, they enlist a beautiful but unsophisticated young woman, Deborah. To find underground access to the store, they get help from a sewage worker. An obese trapeze artist is called for disarm the store alarms. The clever Mrs. Motta, old hotelier, is also involved. Will they succeed?

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

A 1977 Italian comedy film composed of 14 episodes, directed by Dino Risi, Ettore Scola and Mario Monicelli. It is a sequel to I mostri, made in 1963.

A group of friends decide to go on vacation and they use an agency, the Via Col Vento tours, to organize it. The latter promises them a holiday of dreams and absolute fun.

A comedy about the adventures of several families during their sea vacations.

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-to-gather. They discuss about their past, present and future.

Over two decades after their affair ended, a married man is haunted by the presence of his former lover.