Keyword Human Relationship

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.

Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'

Los Amigos wins the Spanish basketball championship for the first time but are disqualified due to Sergio’s fault, leading to their dramatic breakup. Two years later, Cecilia, an inexperienced but optimistic coach, commits to fulfilling Julio’s dream of reuniting the team. Despite a string of misfortunes associated with Cecilia’s arrival, labeled as a “jinx”, Los Amigos’ enthusiasm remains unwavering. Against all odds, they find themselves participating in a thrilling and unexpected international eSports tournament watched by millions worldwide.

Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.

After failing the medical entrance exam, Léopold enters midwifery school by default, hiding the truth from those around him. While he is unconvinced of his commitment to this exclusively female environment, his meeting with Nathalie, an experienced midwife with a passionate character, will change his view of this fascinating world and upset his certainties.

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Eight years after the devastating tsunami, the wounds it left in Japan have still not healed. In her touching search for answers, Haru sets out on a long, eventful journey to her home town, where she lost her family in the flood.

In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.

They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

The Drummer and the Keeper tells the story of the unlikely friendship formed between two young men: Gabriel, a reckless young drummer who revels in rejecting society’s rules and Christopher, a 17-year-old with Asperger’s Syndrome, who yearns to fit in. This heartwarming story shows the strength of the human bond in the face of adversity.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dali Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

How the spirit of unity, which buoyed Britain during the war years, carried through to create a vision of a fairer, united society.

Omameda Towako recently become the president of the construction company "Shirokuma Housing". She has experienced three divorces and is currently living with her 15-year-old daughter, Uta. Although Towako has been divorced thrice, she remains bright and lives her life strongly. However, her life is constantly disrupted by her three troublemaker ex-husbands.

In this miniseries based on many true stories, we experience firsthand that instinct that makes us care for others.