Keyword Flesh

Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.

A feature adaptation and expansion of the story in "bodybag" (2024).

Hundreds of gremlin-like mutant creatures from a melting glacier violently descend on a survivalist cabin in the mountains where an unsuspecting circle of high school seniors are celebrating their last weekend together before college.

Julia lived a normal life until she was strangely hypnotized by the refrigerator in her supermarket.

After being killed by a monster, one pirate resurrects and find some friends to get its revenge. He makes a new band called "La Chota".

A government subsidized water facility "melts" down releasing a toxin into the water supply which turns the employees and population into soulless mutants hungry for blood, as a group of survivors try to escape the mutants wrath.

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.