Keyword Abstract Art

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

Protagonist is faced with an internalized feeling that emerges in a moment in memory

How can an artist discover abstraction by the beginning of the 20th century and nobody is noticing? A woman, misjudged and concealed, rocks the art world with her mind-blowing oeuvre. Hilma af Klint was a pioneer creating her first abstract painting in 1906, four years before Vassily Kandinsky. But why was she ignored? Why are her paintings not available on the market? This first film on her is about her life and work, the role of women in art history and the discovery of an art scandal. Her quest for meaning in life and a boundless thinking led into a timeless, outstanding oeuvre.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

This expressive and experimental short film by Iain Delavan features two distinct emotionally significant videos, broken up by an ethereal synthetic universe. Quoted by Delavan as "the best thing [they] have ever made", this film has many layers hidden underneath the seemingly simplistic surface.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Colour, form, area - this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Uber das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky's Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. "A picture has to resound and must be bathed in an inner glow." Kandinsky

The film was produced applying mixed techniques on Super 8 film support.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.

Shapes projected onto an abstract environment. The movement and scale of the forms in the film is a beautiful equivalent of the dynamics of the soundtrack

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

First broadcast on October 2, 1989, these 18 original 30-minute episodes provide a panorama of 2000 years of architecture, painting and sculpture, and studies the art masterpieces as reflections of the Western culture that produced them.