Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.
Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.
Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."
Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.
When a teen girl is possessed by a singing spirit after visiting the mystical Watu Kandang, her disturbing behavior brings turmoil to the village.
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
Bertolt Brecht asked whether there would be singing in the dark times. In the throes of war, the United Ukrainian Ballet Company defiantly insists there will be dancing, too. Far from the land they call home, young dancers take quiet comfort from art. For a while, their work feels like the old days, except there is a new troupe member: a soldier learning to dance with prosthetic legs.
A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.
Alva receives news from her long-lost husband, Russell, and goes to Africa in search of him. There, she finds that her husband is being "held prisoner" by a naked native princess, called Loma. Now, in order to bring Russell back home, Alva must show that she's better than the princess.
Young ant is coming back home after a hard-working day and performing his evening routine rituals. Suddenly, someone wants to disturb him.
On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.
Khushi and Arnav have diametrically opposite ideologies. If Khushi believes in means, Arnav believes only in ends. Khushi's relationships are the most important to her, whereas Arnav believes all people come with a price and can be manipulated for one's benefit.
The Ring of Fire: An Indonesian Odyssey is a series of five documentary films following the decade-long Wanderjahr of the filmmaker/sibling partnership Lorne and Lawrence Blair.
