Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.
Crazy old Professor Gangreen has developed a way to make tomatoes look human for a second invasion.
After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
Professor Ludwig von Drake plays a variety of popular music, all of which he wrote. First, ragtime: the Rutabaga Rag, with vegetables dancing in stop-motion. Next, the Charleston, with cut-out animation of a singer and dancers. Dixieland and more cut-out animation; the crooner/love ballad; 50's doo-wop; and finally, rockabilly.
Once a victim of bullying, Frida finds a hero in the legendary luchador El Pirana. However she finds herself at her lowest once more when she's ridiculed during the biggest wrestling match of her life. Through an unexpected meeting with a mysterious taco salesman, Frida learns that she must find strength in herself to overcome her demons.
This documentary from Min Sook Lee follows a poverty-stricken father from Central Mexico, along with several of his countrymen, as they make their annual migration to southern Ontario to pick tomatoes. For 8 months a year, the town's population absorbs 4,000 migrant workers who toil under conditions, and for wages, that no local would accept. Yet despite a fear of repercussions, the workers voice their desire for dignity and respect.
El rey del tomate ("The Tomato King") is a 1964 Mexican comedy-drama film, directed by Miguel M. Delgado and starring Eulalio González, Luz Márquez, and Emma Roldán.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
A businessman with places to be will be changed forever after a chance encounter in an elevator.
Bob the Tomato tries to bring the Bible story of Abraham and Sarah and their wait for a promised son to life, but when spitting camels and a film crew of zany French peas get involved, everyone?s patience is tested! Will Bob pull everything together in time to teach a lesson? Whether they?re waiting on a promise from God or cookies from mom, kids will learn that while being patient is never easy, the reward is always worth the wait! Features the nationally-syndicated radio host Delilah as the voice of Sarah.
When a man hears a knock at the door in the middle of the night, he's given the opportunity to face one of his greatest fears. If he makes it through the experience alive, how much will it change him?
After mysteriously turning into a tomato, Israël must survive to his family and colleagues.
A juicy moving picture about words, the world and a beloved, oft overlooked fruit. Tomato is the first in a series of bite-sized, visually punny films that reconsider some of the most humble and ubiquitous foods on our plate— the ways we define and consume them, and also how those foods might be defining us!
Ashika doesn't even like tomatoes. So why did Khushi come home to find she had bought 21 of them?
