Eikon Media

During the early 16th century, idealistic German monk Martin Luther, disgusted by the materialism in the church, begins the dialogue that will lead to the Protestant Reformation.

1779. Eight-year-old Ludwig van Beethoven, called "Louis", is already known as a musical prodigy. He learns to go his own way - much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis' heart; he doesn't want to serve a master - only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.

Success is a question of confidence, particularly in times of crisis. Life would be unbearable if there weren’t beautiful things to brighten it up a little, including pretty faces. Frank Knöpfel constantly flirts with life with his beguiling bright blue eyes. He buys a complete stranger an expensive coat in a designer boutique just because he feels like it. He disguises himself as a businessman from Oslo, a Mafia boss, a stock exchange specialist and an estate agent, whatever it takes to bring in the cash. He is the type of person who enjoys looking in the mirror, and delights in what he sees there. A flirtation with a customer in a boutique leads to Frank’s undoing.

Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

The single package-delivery woman Dora lives a somewhat reclusive life in a high-rise in Leipzig and gets through everyday life with her dry sense of humor. But her quiet, well-ordered life spins out of control when she has to hide her mysteriously fascinating Polish neighbor Jola – who believes to have accidentally killed someone. Dora is hesitant at first to take her in, but she cannot seem to shake her fascination with Jola. Dora's trust in the direct, impulsive woman grows – Jola seems to ask exactly those questions no one else dares to ask. When Dora finds out that the accusations against Jola have been lifted, she lies about the status of the police investigation in order to keep her Polish neighbor for herself.

A comprehensive history of European Jazz, exploring the origins of the US-influenced Jazz clubs after the Second World War, the first steps independent of American jazz and the various changes of direction that have repeatedly occurred in European jazz in the search for that "own voice" that European jazz musicians have helped to form. Featuring the great masters of European jazz such as Chris Barber, Jan Garbarek, Juliette Gréco, Stefano Bollani and Till Brönner, to name but a few.

Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics.

The family happiness of young mother and wife Jenny is suddenly shattered when she finds her neighbor's seven-year-old daughter Luzi dead in the woods. Everything points to her son Tim being partly responsible for Luzi's death.

The turmoil of the last days of the war. 13-year-old Tom loses his mother while on the run. In Vienna he meets the one-legged black marketeer 'Krücke' - a sly, cunning survivalist and at the same time an adorable, kind friend. The two find shelter with Bronka, a Jewish woman who serves alcohol to Allied soldiers and black marketeers. Tom and Krücke settle into this insecure world. Krücke plays the saxophone, Tom waits tables, until one day a return to Germany becomes possible. But the train that the one-legged man and the boy board is stranded in no man's land...

Following folk musician Joan Baez on her extensive 2008-2009 tour, this film commemorates her career, which has spanned five decades. It includes concert and archival footage as well as interviews with such disparate colleagues, friends and admirers as Bob Dylan, Jesse Jackson and David Crosby. In addition to the music, it also touchs upon Baez's long history of global social activism.

In the wake of World War II, most Germans have been raised with the mistaken belief that the Holocaust had been planned and executed by just a tiny minority of Nazis, namely, the Gestapo and the SS. The sad truth, however, is that Hitler's philosophy of ethnic cleansing, as the Fuhrer so brazenly espoused in his frightening manifesto, "Mein Kampf," had been enthusiastically embraced not only by the entire military but also by most of the civilian population. The long-suppressed proof of their widespread collaboration and participation was unveiled in The Wehrmacht Exhibition, a damning collection of photographs and film footage that toured Deutschland between 1999 and 2004. The show shook the country to its core because it forced folks to face up to the fact that it took much more than a madman and his henchmen to wipe out six million.

Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?

Reni Wirth is a woman in her "prime," in her late thirties, a housewife like millions of others and seemingly fulfilled by caring for her husband and two teenage daughters. Despite slight irritations about her mere existence as a housewife, she takes good care of her family. A preventive breast cancer screening completely disrupts the apparent family idyll. Although the worst fears are not confirmed, after days of terrible anxiety, Reni begins to understand the misery of her personal situation: her daughters will soon be on their own, and she can hardly return to the profession she once learned. What will be left for her? Reni takes a courageous but uncertain step toward somewhere where she suspects she will find "freedom."

Patrol officers Ida Sörensen and Magnus Vinter are called to the scene where a body has been found. Horik, the son of Kort Holm, a Copenhagen underworld figure, has been killed with two Viking arrows.

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

A young couple in Berlin's 'Mitte' district. He, a writer, is lying on the sofa, reading. She can't stand it anymore. In the afternoon the parents come to see the baby. She goes out in the evening. The young man waits. She comes back - but not alone.

During the night, patrol officer Ida Sörensen hears urgent cries for help coming from the church tower. Together with her young colleague Emma, the policewoman arrives at Ribe Cathedral. There, high up in the tower, a man is threatening a young woman with a knife. Ida and Emma draw their weapons when the mighty bell suddenly rings loudly. In the heat of the moment, Emma shoots the attacker, Finn Eriksson, causing the victim, Bente Bruun, to fall to her death. For Inspector Frieda Olsen, the case is closed before it has even begun. However, Ida soon begins to doubt the explanation that it was a foiled rape attempt. Ida soon discovers that Bente, a young investigative journalist, had been feeling threatened for days. While Ida and her colleague Magnus search for a notebook hidden by Bente, the dubious Konrad Gram and his assistant Viggo try to get to it first. Without realizing it, Ida puts herself in danger.

In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.

An unflinching look at the rise and fall of one of the most infamous political figures in US history.