Belgische Radio en Televisie

Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.

Govert Miereveld is a lawyer from a small Flemish town who also teaches in a school for girls. He harbors a secret love for one of his young students, Fran, whom he loses touch with after her graduation. Some time later, Miereveld has to attend an autopsy, and the shock of the experience deeply affects his mental balance. He finds out - or he believes so - that Fran has become a popular singer. He arranges to meet her to finally reveal his feelings. An ambiguous but perhaps tragic denouement follows which might be a figment of the protagonist's disturbed mind.

Placide's dad tells him on his deathbed he'll haunt Placide if he doesn't find a wife soon. Placide cautiously agrees, but he only wants to settle for a very beautiful woman. That might be easier said than done, since he is a vagabond. When he accidentally enters a photo shoot, Placide meets Sarah. He falls in love, but she is way out of his reach.

The film tells the story of Freek Groenevelt and Simone Marijnissen whose lives are taken over by Joachim Stiller.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

A filmed essay about the painter Bouts.

An nobleman question an aged grave warden, whose sickness seems to be due to the ghosts who haunt his workplace.

An interview with film director Josef von Sternberg, produced for Belgium television.

1989. Hugo (Michael Pas) is in his first master's year economics. At the same time he is training for the 110 meter hurdles. And he has another sport: chasing girls. But when his latest catch (Antje De Boeck) suddenly disappears, he's obsessively starts looking for her. She seems to have ended up in an idyllic, utopian countryhouse.

A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.

Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes.

Docu-drama surrounding the events leading to the Soviet Union's invasion of Czechoslovakia in 1968.

Cyriel Buysse depicts the downfall of a small East Flanders farmer and his household, at the turn of the century, in a time commonly called la belle époque, which was only nice for the ruling upper crust of chateau lords and their friends.

A film made for television, based on the book of the same name by Libera Carlier. A Flemish family decides to spend the summer holidays on de Schelde. Father Janssen buys a second-hand boat and together with his wife and two sons he sets sail. What follows is a sequence of pleasant moments and disappointments, watched by the sceptical mother Janssen.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.