Herbert Richers

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

Jerry is a tutor at an orphanage. On the first day of vacation, the boys go to the beach with Professor Teobaldo and find a skeleton and a treasure map. Word spreads and a rush for gold begins. On the one hand, Jerry and Neyde, television colleagues; on the other, the director of the station, Indalécio, and his lover Aphrodite; finally, the evil Rock Trombada, in the company of scientist Bertini and Daniel. On Treasure Island, the three camps promote mutual sabotage. After many confusions, Trombada flees with the treasure to the ship's cemetery but they are surrounded by the boys and Indalécio. It's the final war. But it is Jerry who will take the wealth in order to improve the situation at the orphanage.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

Bonga is a bum who lives on the streets, alone and free, with no commitments, except for pulling off naive scams to get food. When he is in front of a nightclub, he meets a gigachad and builds a great friendship with him. The boy's businessman father pressures him to get married and so, with the help of the bum Bonga, they come up with a plan to introduce a fake fiancée to the family. But things don't go as expected, they get complicated, and at the time Bonga takes another friend he met on the streets and is in love with to his friend's house.

The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

After marrying everyday man Zózimo, Engraçadinha, who had been through intense sexual experiences as a teenager, settles to live a quiet and normal life. As the years go by, her teenage daughter's behaviour seems to call back Engraçadinha's own teenage days.

After the success of the first Brazilian space mission, a scientist intends to accomplish an even more audacious feat. His goal is to launch into space the Nationalist rocket II, this time taking two humans to the moon.

A street vendor and a servant theater, newly unemployed, accidentally swap their briefcases trinkets for one of three bandits who just rob a bank. The chase, which also involves two "rapas" only ends when, aided by a chorus girl, unwittingly participating in a musical number of the show's theater company.

Married woman only feels well when she's in love. In search of a ravishing love, she has many love affairs, with her husband's consent.

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

Mike, an architect, is married to Lin, a beautiful and unfaithful woman. Returning from a trip, he finds she's disappeared. When he tries to locate her, he also learns about her many affairs, and he gets closer to Marina, his efficient assistant, who helps him solve the mystery.

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

A group of scoundrels want to make it by planning hoaxes.

Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.

Employees on a local supermarket plot an epic heist for robbing the place's vault, but things start to go wrong when they notice a police detective on their heels.

While still a child, Lollipop falls in love with her orphaned cousin Silvio, who has been raised as a member of the family by her father, Dr. Arnaldo, a highly respected government official. Years pass, and to Lollipop's dismay, Silvio becomes engaged to her cousin Leticia. During the engagement party, the enraged Lollipop seduces Silvio, and sometime later, she reveals to Leticia that she is pregnant as a result of the encounter.