Coop Vidéo de Montréal

Catherine is a teenager going through adolescence just as her parents are getting a divorce. Her social life is no better as bullies and boys add to the pressure of growing up in the chaotic '90s.

A l'automne 1964, la construction des 52 derniers milles du chemin de fer du Grand lac des Esclaves est en voie d'achèvement. Une bande hétéroclite de travailleurs instables, ivrognes et voleurs, est recrutée dans les tavernes par Fisk, contremaître aux poings d'acier. Martin Bishop, dix-huit ans, arrive comme nouveau pointeur au sein de cette équipe, le précédent pointeur ayant « disparu ». Bishop découvre rapidement des faits anormaux dans ce camp isolé; celui qui ne suit pas les règles de Fisk risque d'être expulsé du camp dans la nature sauvage et hostile. Fait surprenant, tous les hommes qui ont été expulsés demeurent sur la liste de paie... Le refus de Bishop de jouer le jeu de Fisk lui vaut d'être expulsé dans la forêt, dont l'immensité devient sa nouvelle prison. Incapable de s'échapper, Bishop découvre des aptitudes à la survie qu'il ne croyait pas posséder.

On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

On a cold winter's day in 1940, Jules and his family move to live with his uncle, mayor of a settler's village in northern Quebec. He is banned from school because of his rare skin disease. From that moment on, his greatest wish is to be cured. When his dog Spark runs away into the wild forest, Jules has no choice but to look for him. On his way, he meets Asha, a mysterious young indigenous girl. Together, they venture to the other side of the forest, where nature reveals itself full of life and secrets.

Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.

Truck driving is all sixty-year-old widower Germain has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin.

Unfairly dismissed from his duties for trying to catch a white-collar bandit, Jean-Guy Simard leaves the tax office with one fixed idea: to get revenge by making a video on the rules of tax avoidance. From Geneva to Bermuda, his strange investigation takes the form of a Dadaist and irreverent comedy, in which he plays all the roles at once, throughout an exposé where the power of money gradually confronts him with his own demons.

A young couple buys a rotten house with the intention of turning it into their dream home. But the more the renovations progress, the more their life turns into a nightmare. Bungalow is a comedy-drama about the financial, social and sexual anxieties that millennials experience in our performance society.

A father tries to save the soul of his daughter, lost in darkness.

Jean-Marc Phaneuf, an unmarried electrical engineer, travels to Burundi as a volunteer for the NGO Radio du Monde. He finds a country ruined by grinding poverty, famine, war, disease and appalling social inequality. At the same time, he meets a joyful, brave people hungry for happiness, knowledge and human dignity. The camera that becomes his personal diary also helps Jean-Marc expose the shaky, ineffective workings of NGOs. His investigations turn up a few praiseworthy examples of international cooperation, but on the whole he finds himself drawn to a terrible, inescapable conclusion: humanitarian aid is a utopian mirage. After falling victim to an attack and losing whatever ideals he still had, Jean-Marc becomes entangled in an impossible relationship. He is ultimately forced to leave Africa in disgrace.

Jeannot has Down’s Syndrome. Living in a claustrophobic suburban setting, he is treated like a child by his parents and denied any responsibilities of his own. Things change when a young woman named Pauline is hired to take care of Jeannot, and his world opens up beyond the restrictive one imposed upon him.

In the middle of the night, in the Québec countryside, all hell breaks loose as a black teenager is caught smashing a racially denigrating lawn ornament. Together the neighbours attend to justice against the vandal. Thorough the night there is mounting racism, fueled by alcohol, and violence. Le Nèg' opens the morning after when the police investigators arrive at the scene to take depositions.

During the heat wave, swimmers flock to a municipal pool. Rain or shine, as the days pass the place takes on a life of its own, and the lifeguards, while immature at times, shoulder considerable responsibilities.

A climate of civil war, a fight that has made them lose everything including their youth, four soldiers aged 13 to 20 years, will meet and build friendships. In the grip of an adult conflict, which they do not understand, Matéo, Dominique, Big Max and Kevin will keep recreating, round a pond and a cabin, a family.

Struggling with depression and social anxiety, Paul has found refuge in serving women who invite him to clean their homes. By sharing his gently eccentric routines on social media, he combats loneliness and takes it one day at a time.

A mother deals with the violent murder of her daughter.

The Reception takes place in an isolated mansion on an island, but the host is mysteriously absent. A storm traps everyone inside, and the atmosphere turns sour when it is revealed, by way of a video, that each of the guests has a criminal past. A death ensues, and then another... the mansion quickly turns into a jail. Inspired by Agatha Christie's Ten Little Indians.

Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.