The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Our heroine, Miss Velez (despite the fact that she seems to be just along for the ride) is much her usual over-eloquent self (how fortunate she has no sound track!), while Warner Oland makes such an impressive and villainously seedy bandit, he needs no sound track at all. We can just imagine his oily, purring accents all too well.
Young orphan Victoria Sax becomes a grand duchess and is summoned to a remote kingdom.
Dr. Burton's divorce is about to be effective when his flappery ex-wife Irene pays him a visit turning everything upside down. To avoid explanations to his bride-to-be and her mother they all take the train, including Irene and her lawyer, who will try to prevent him from committing bigamy, as the divorce won't be effective until midnight.
When the Stack family suffers some financial setbacks, daughter Mary Ellen suggests they buy a car and relocate to California. Unbeknownst to them, their used car is worth more than they ever could have imagined.
Malena's apparent frigidity toward her husband Kenneth is a result of injustice done in an earlier incarnation when he was a knight and she was a gypsy headed for burning at the stake. This becomes evident when their unconscious minds travel back from a train wreck in the American plains to Elizabethan England.
Blondy and Swede are gruff best friends who build skyscrapers. Blondy gets sweet on a girl he saves from a falling beam, Sally, but when he is injured in an accident and temporarily crippled, he rejects her. Swede tries every desperate measure to get Blondy to fight back, to try to walk, even masquerading as stealing Sally away from him.
To escape an arranged marriage, a young Italian girl marries an older man, a military officer who is also a family friend, and when he is assigned to North Africa, she accompanies him. His unit is sent into the desert to subdue some unruly tribes, and when he is later reported killed in action, his widow marries a young soldier with whom she has fallen in love. However, word soon comes back that her "dead" husband is very much alive.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
After an argument, a newlywed decides to test her husband's fidelity by disguising herself as a blonde.
Based on a true story, two-timing boozing wife Roxie Hart kills her lover in cold blood after he leaves her, and finagles her way out being indicted. The basis for Kander/Ebb's 1975 Broadway musical of the same name and its Oscar-winning 2002 film adaptation.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
Barbara Fiske, a beautiful girl of social standing, is about to be married to Lloyd Van Courtland. On the eve of their marriage, she foolishly pays a visit to a colorful steamship captain aboard his ship.
When a hardened businesswoman who goes by the initials A.B. overhears someone calling her an “Amazon” because of her butch ways, she agrees to a more “feminine” makeover. In the end she learns that no matter how she looks she’s still the smartest person in any room.
A colonel of the French army in North Africa believes his brother, a sensitive musician, to be in love with the colonel's wife and so arranges for his brother to be drafted into the colonel's own corps. Unknown to either is the fact that the colonel's wife is actually an Arab spy.
Film which tells the story of immigrants coming to the United States.
Percy Ashfield is to marry Mary Bowman but her father objects. He objects because while the Bowmans and Percy and others with vested interest are all assembled in Ashfield's castle admiring the pearls that are to be Mary's wedding present, a girl rushes in carrying a baby and claiming the Percy is the baby's father, and her claims are supported by a doctor who follows her in adding that the girl is mentally deranged over Percy's faithfulness.
Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, conceives of burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truckdriver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.
A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.
During the Russian Revolution Princess Vera, though betrothed to Prince Dimitri, is attracted to the peasant Feodor.
