Murder!

Murder! 1930

5.90

When a woman is convicted of murder, one of the jurors selected to serve on the murder-trial jury believes the accused, an aspiring actress, is innocent of the crime and takes it upon himself to apprehend the real killer.

1930

The Manxman

The Manxman 1929

6.00

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

1929

Rich and Strange

Rich and Strange 1931

5.50

Believing that an unexpected inheritance will bring them happiness, a married couple instead finds their relationship strained to the breaking point.

1931

Blackmail

Blackmail 1929

6.60

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

1929

Number Seventeen

Number Seventeen 1932

5.50

A gang of thieves gather at a safe house following a robbery, but a detective is on their trail.

1932

The Ring

The Ring 1927

5.90

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

1927

The Farmer's Wife

The Farmer's Wife 1928

5.60

Successful middle-aged farmer Samuel Sweetland becomes widowed, then his daughter marries and leaves home. Deciding he wishes to remarry, Sweetland pursues some local women he considers prospects.

1928

Champagne

Champagne 1928

5.20

Betty, the rebellious daughter of a millionaire, decides to marry the penniless Jean—against her father's will—and runs away to France and lives a life of luxury on the profits from her father's business. Pretending his business is crashing, her father finally puts a stop to her behavior, which forces Betty to support herself by getting a job in a night club.

1928

The Skin Game

The Skin Game 1931

5.30

An old traditional family and a modern family battle over land in a small English village.

1931

Juno and the Paycock

Juno and the Paycock 1930

4.60

During the Irish revolution, a family earns a big inheritance. They start leading a rich life, forgetting what the most important values of life really are. At the end, they discover they will not receive that inheritance; the family is destroyed and penniless. They must sell their home and start living like vagabonds.

1930

Piccadilly

Piccadilly 1929

6.40

A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act.

1929

Mary

Mary 1931

5.60

A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution. German version of "Murder."

1931

Fires of Fate

Fires of Fate 1932

1

In Egypt a colonel with a year to live saves a girl from an Arab prince.

1932

Atlantic

Atlantic 1929

4.90

English-language version. "Atlantic" is a drama film based on the sinking of the RMS "Titanic" and set aboard a fictional ship, called the "Atlantic". The main plotline revolves around a man who has a shipboard affair with a fellow passenger, which is eventually discovered by his wife. The ship also has aboard an elderly couple, the Rools, who are on their anniversary cruise. Midway across the Atlantic Ocean, the "Atlantic" strikes an iceberg and is damaged to the point where it is sinking into the Atlantic.

1929

Elstree Calling

Elstree Calling 1930

5.10

A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live television broadcast hosted by Tommy Handley (as himself).

1930

Those Were the Days

Those Were the Days 1934

7.50

A farce based on Arthur Wing Pinero's play 'The Magistrate' in which the son (John Mills) of a stern magistrate (Will Hay) visits a music hall against the wishes of his father. In true farcical style, the magistrate too ends up at the music hall, and before long all the characters are trying not to avoid each other... Mainly notable (a) because of its depiction of the music hall as seen by a generation which knew it intimately (b) because of its use of music hall acts of the time and (c) because it gave Will Hay his first film role.

1934

The Compulsory Husband

The Compulsory Husband 1929

1

A recently engaged girl invites her parents to meet her fiance. They learn that he also loves another woman.

1929

The Informer

The Informer 1929

6.30

A man betrays his best friend, a member of a terrorist organisation, to the authorities and is then pursued by the other members of the organisation.

1929

Drake of England

Drake of England 1935

7.00

Imposing Canadian-born stage actor and playwright Matherson Lang was one of the twentieth century's great Shakespearean players, and became Britain's foremost screen actor during the 1920s; in Drake of England, one of his final films, he takes the title role in Arthur Woods' portrayal of the life and times of the flamboyant piratical adventurer who founded Britain's sea fortunes. From clandestine romance at the court of Elizabeth I to conquests in the newly discovered lands of South America and spectacular victory over the Armada, Drake of England offers a panoramic overview of Drake's life.

1935

The W Plan

The W Plan 1930

7.00

A tense WWI spy thriller in which Colonel Duncan Grant (British star Brian Aherne, in his first talking role), parachutes into Germany to gather intelligence on the enemy’s secret ‘W Plan’ and to assist Allied POWs in digging escape tunnels.

1930