Gwen meets Ben. Gwen is done with relationships and love for the time being. Ben shares her attitude and so the two come to an agreement. They agree on what at first seems to be a simple rule... What remains when the masks fall - how much truth do we need for closeness?
If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, an 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Sanne's and Markus' relationship is in crisis. They go on holiday together, but accidentally fly to the wrong island. There, in desperation, they break into an empty holiday home and embark on a role-play using new identities. At first, the game is an exciting rediscovery of their relationship, but it becomes increasingly destructive as they force themselves into archaic roles.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
On the 3rd of October a twenty-four-year-old student from Vienna kills his lover and chops up her corpse. Her torso is found in a dumpster, other body parts and the head are missing. There is no clue about the motive of the murder. A silent chronology of the events.
When Ruslana floods her Munich flat, Vladan, a former Boxer from Serbia, comes to her rescue. It is the night when Ruslana's son Bogdan should finally come from Kiev. He rather falls in love with the spoiled pop-starlet Maria, for whom he is working. Both, however, are depending on Maria's rich patron Jora. The same night in Belgrade Vladan's son Zoran meets Jelena. But she intends to leave her homeland the next day, forever. Three cities. Three Love-Stories. One night in Europe.
An overwhelmed young mother, her hard-working boyfriend and her lonely sister are trapped in their daily routine and social conventions, until one of them breaks out of her role and turns everything upside down.
More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.
Marie, her father and her little brother live in an underground bunker hidden deep in the woods. The World as we knew it no longer exists. When the father accidentally shoots a stranger while on a hunt, he sees himself faced with only two options. At home, Marie tends the wounds of the unconscious man. While the father distrusts the stranger, Marie is drawn to him. For her, the bunker feels not like a home but a prison from which she yearns to break free. Can this stranger be her long awaited hope? But when a group of marauders invade the bunker, Marie is not sure who her new friend really is.
When Ana, a young compliance manager, discovers unusually high bills among her company's records, she can't imagine what an avalanche her research will set off. Not only does she cross paths with an aging small-time crook and a Viennese Mafia lord at an illegal bare-knuckle fight, she also runs into Carsten, an undercover investigator. He has long been on the trail of a network of money launderers and now faces a difficult decision — since he knows Ana all too well.
Amir and Anouk return home after their first vacation together. In the throes of love, they believe that nothing can destroy their happiness. But then they are stopped by the police - and nothing is as it was before.
As an awkward idealistic high school teacher begins her first job in the city, things turn out to be much tougher than she had imagined.
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
Laia and Emil are enjoying their semester abroad in Munich. While Laia feels perfectly fine just having sex with Emil, his profession of deeper feelings puts her on the defensive.
Louk is deep as the sea. Manja is pure as the air. Her love means: No fear. No lie. No trace.
A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.
In the Middle Ages: Wöhlund is a blacksmith and can forge a shield with special magical powers.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the "bioskop", an early version of the film projector.
The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.
