The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.
For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.
A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else.
Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc
In a fictional future totalitarian society ruled as a one-party state. A teacher commits the crime to teach their students to think independently and is therefore being stalked. The fictional Monismania also appeared in Astrid Lindgren's saga about the witch Pomperipossa in the Monismanian 1976.
A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."
Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.
A tragicomic story about rural extinction and the meeting between the local shoemaker Gustafsson and Pettersson from Stockholm.
A tv play about the Swedish poet Gustaf Fröding. Flashbacks from his life in a mental hospital.
The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.
Sweden 1958. In a small provincial town there is a band who plays dance music twice every week. All decisions are made by Sven Klang, the undisputed leader of the band. A new member joins them, saxophone player Lasse. He starts to criticize Sven's decisions, questions the way they divide the money and he also wants them to be more of a jazz band.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
A Swedish couple are trapped in their marriage and way of life. Locked up in their bourgeois inferno.
The Cavalry Captain and his brother, the Chaplain, discusses whether an adjutant is the father or not of the child one of the maids is expecting.
About the people at the bottom of the hierarchy working in a restaurant.
Herr Sleeman kommer is a 1917 one-act play by the Swedish author Hjalmar Bergman. The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.
Somewhere sits two men, Vladimir and Estragon, waiting for a man named Godot. Internationally acclaimed Swedish TV dramatized version of the classic stage play.
Explores the history of the Afrikaners and Afrikaner nationalism, and the development of apartheid and its relevance to South Africa's political situation today.
A documentary about Swedish teen culture in the 1970s, following Micke Åström, 14, and his friends.
