년 1904

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

A magician conjures up a mermaid while fishing.

A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...

Melies second attempt at telling the story of Faust. This time out Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits.

The adventures of an inattentive man who can't look away from his book.

Documentary on the process of hay-making, from the cutting of the grass to the stacking of the hay.

As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.

Chronophotograph record of a ball falling through a soap bubble.

Georges Melies the magician. Melies removes his own head, puts it in a glass box on a stool, then grows another one. Melies lights up a cigarette and blows smoke at his old head. The head gets payback by levitating above Melies and spewing water on him.

Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated to footage of factory panoramas, women winding armatures and turbines being assembled. These industrial films were produced for the American Mutoscope & Biograph Company.

A large bucket full of molten material is poured into a large container, possibly a mold, by a group of men using machinery. Some other men stoke the fire under the container. When finished pouring, the men lift the bucket up from the container and take it away on a crane. Two men put prods down repeatedly into the container, while others lay covers on top of it.

A magic show.

A large group of men are shown performing various tasks in one room at the Westinghouse Air Brake Co. On one side, men are shown pouring a hot liquid into molds on the floor. A conveyor belt delivers items which are then taken off the belt by a man. Men on the other side of the screen appear to be lifting items out of what could possibly be a furnace and putting them on tables. It appears that the men in this room are casting machinery from molds.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

A “madman” escapes prison and the torments of his warders.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

The stages that a caterpillar goes through, from larvae to chrysalis, to become a butterfly.

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

An inquisitor and two of his henchmen burn a woman at the stake. An angel intervenes.