Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.
The portrait of a man and his attempts to make things up with life after losing his job.
Two men of low life travel by car under a sweltering sun. They do not find the place they are looking for, lost in a remote Argentine countryside. They arrive at a workshop to ask questions and events seem to take off. The short was part of "Short Stories I" (1995).
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
The postcard is diffuse, but in the memory there are flashes of clarity. They appear in the scene: they chat, they meet again and they recognize in each other's eyes and words. Expectant for what may happen in the future, they decide to talk about the past to understand the configuration of the present.
This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.
A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.
A married woman with a mute daughter has a forbidden relationship with the single father of a teenage boy.
Paula goes through a night, trying hard to make something happen that is not happening to her. As she gets drunk in all the places she visits, she meets an ex-boyfriend, some friends who are not with her and Fernando. What was her threat, ends up being her treasure.
Simón, Facu, and other children have fun playing soccer in the streets of La Boca. When Simón accidentally throws Facu’s ball, his best friend, into the house of the most feared old woman in the neighborhood. Determined to get it, Simón and Facu embark on an adventure together to retrieve the ball.
Santiago, a 20 year-old twink shaped by the anonymity of the virtual world, becomes frustrated with gay dating apps and starts obsessively looking for a real experience in the Buenos Aires nightlife.
Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.
A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.
Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.
Two unknown characters wander through the central streets of Buenos Aires. While one abandons his past, the other reunites with his.
On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.
While he wanders around his house preparing to sentence the fate of an 18-year-old young man, an old judge must deal with the relentless questioning of his distant wife.
