Cinderella

Cinderella 1899

6.20

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

1899

The Kiss in the Tunnel

The Kiss in the Tunnel 1899

5.80

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

1899

The Pillar of Fire

The Pillar of Fire 1899

5.84

A devil wearing bat-like wings and brandishing a trident dances around a giant pot, conjuring forth flame from his trident to lit a fire beneath the pot. After the devil works the fire with bellows, an angelic woman emerges from the pot. The devil and the pot vanish as the woman performs a dance, waving about her diaphanous sleeves until she conjures forth another fire, then she rises amongst the smoke into the air.

1899

The Conjurer

The Conjurer 1899

6.27

A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.

1899

The Devil in a Convent

The Devil in a Convent 1899

6.23

A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into pandemonium.

1899

The Dreyfus Affair

The Dreyfus Affair 1899

5.73

The first movie ever censored for political reasons. The title refers to the then contemporaneous Dreyfus affair in which a Jewish military officer was falsely convicted of treason, and it was alleged that he was framed due to anti-semitism.

1899

Suicide of Colonel Henry

Suicide of Colonel Henry 1899

4.90

Shows the interior of the cell of the Prison Militaire du Cherche-Midi, Paris, where Colonel Henry is confined. He is seated at a table writing a letter, on completion of which he rises and takes a razor out he had concealed in his porte-manteau, with which he cuts his throat. The suicide is discovered by the sergeant of the guard and officers.

1899

The Little Girl and Her Cat

The Little Girl and Her Cat 1899

5.70

A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.

1899

King John

King John 1899

4.85

Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great.

1899

The Human Pyramid

The Human Pyramid 1899

5.24

Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. Next, he transforms the gentlemen into fancy ladies.

1899

Défilé de voitures de bébés à la pouponnière de Paris

Défilé de voitures de bébés à la pouponnière de Paris 1899

5.60

A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses.

1899

The Attempt Against the Life of Maitre Labori

The Attempt Against the Life of Maitre Labori 1899

5.50

Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast.

1899

The Mysterious Knight

The Mysterious Knight 1899

6.30

A knight performs several magic tricks with a disembodied head materialized from a chalkboard drawing.

1899

Extravagant Struggles

Extravagant Struggles 1899

5.70

In a square room, two men and two women, in white body-hugging clothes, try on wrestling holds, each with a partner of the same sex.

1899

Landing of Dreyfus at Quiberon

Landing of Dreyfus at Quiberon 1899

5.10

A section of the port Haliquen (Quiberon) Bretagne, at night where Dreyfus was landed by French marines, and officers after his transport from Devil's Island. He is received by the French authorities, officers, and gendarmes, and conducted to the station for his departure to Rennes. This little scene was enacted on a dark rainy night, which is clearly shown in the film. The effects are further heightened by vivid flashes of lightning which are certainly new in cinematography.

1899

Dreyfus Meets His Wife at Rennes

Dreyfus Meets His Wife at Rennes 1899

5.10

Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional.

1899