National Commission for Culture and the Arts

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

After years of imprisonment in the Middle East for a crime he did not commit, Lino finally returns to his small town. He hopes to relive his lost dreams and bring back everything that was taken away from him. With his red suitcase filled with misery and uncertainty, he reunites with his past. Revisiting what he left behind, he discovers that life went on without him. As he tries to fill the emptiness, he realizes that he is now the void.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

While trying to cozy up to the sexy and mysterious Mina, who recently moved into the boardinghouse above his shop, unlucky Xerox operator Lito is unwittingly placing his life in grave danger.

Badong, an established painter, comes home and returns to his old studio. He has a piece in mind that requires a specific model to pose nude. He wants Mimosa, his former nude model and ex live-in partner. Years ago, Mimosa left him for another man.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

Padre De Pamilya is a story about a father Joselito Mirasol (Ariel Rivera) whose only wish is for his children to grow up as good Catholic Christians. Unfortunately, his salary as a government officer is not enough to make ends meet. And because he is working under a corrupt mayor (Tessie Tomas), the temptation to become a corrupt government official are always there.

A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.

Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.

During the Japanese occupation of the Philippines during World War II, a young girl from Vigan and an idealistic Japanese officer fall in love. With a war between them and disapproval from both sides, the two struggle to find their own piece of happiness in the world as duty and family threaten to tear them apart.

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

When they have no one to pass their "mutya" forward so they can finally die, aging "aswangs" in Antique are believed to seek for the mystical lake in Negros where they can just turn into ashes and disappear forever. This is the story of a 78 year old aswang and the young man who helped her find the lake.

Makoy, Kaloy, and Buknoy wake up to an announcement about going back to school. Parents who do not want or are unable to opt for online classes must take an exam to determine if they are fit to teach their children. Unfortunately, most parents in this small town are not as privileged as their children who've had formal education.

As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.

The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.

Two lads, best friends since childhood reunite at the beach but as their bond gets stronger they are reminded of their fears to a mythical creature inherent in the place.

A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.

In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).