GREC

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

Malik spends his days trying to get attention from others with empty, boring chats. One day, he catches the attention of one guy with a lie, saying that he's going to the US to study cinema. The news quickly goes around the neighborhood and Malik suddenly becomes everyones’s hope and pride.

A woman's waiting for a man who will never return, another one boxing proudly the vacuum, a singer without orchestra, a conductor lonely. Lonely characters united by a fable, a naked young man lost in the woods, chasing or fleeing something.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

An old man, almost deaf, observing and listening to hospital patients. A 12-year old boy, with a pain-insensitive disorder, feeling like a super hero. A nurse, who lost all sense of smell, treating wounded soldiers during WWII. A mute man about to become a father. And a young lad into a coma surrounded by his owns. Five stories in one film, five characters facing their disabilities.

Alberte has a passionate affair with Mathias, her doctor. He treats her under narcoanalysis to be able to detect a deeper symptom. He enters her without her knowing it and takes possession of his being in order to read what is chasing him, why people blame him, what is the strange disease that inhabits him.

Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.

In a strange villa, six young people are getting tanned. They are bored and get burnt, lying under the summer sun. They are children of the night, children of dreams. Coming from everywhere and nowhere, they are here, united like a tribe.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

In Corsica, a young man who is a fisherman like his late father before him wishes to leave and discover new horizons. A passionate music lover, he is torn between his mother who encourages him to pursue his passion and his grandparents who want him to stay on the island.

Margot has memories, black ideas that haunt her and lead her to the mountains of her childhood, to her brother Adrien. In the cold of winter, the ghost of a missing brother reappears.

A suburb housing. Two girls on the phone are looking for each other but never succeed to meet. One of them vanishes.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

‘Small metamorphoses’ is the name of an old game: different body parts are drawn on cardboard to form various characters including a couple and a child. The couple refuses this child in order to forget the failure of their love. Changes take place in the relationships, the clothes, the gestures, as time reveals the truth.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.